Vimukthi
makes it to Cannes
By Susitha R. Fernando
Young filmmaker Vimukthi Jayasundara has become the
second Sri Lankan filmmaker to be honoured at the International
Cannes Film Festival after veteran Dr. Lester James Peries.
The
Sri Lankan entry to the competitive section of the Cannes Film Festival
is made after forty-eight years. The country’s most experienced
director Dr. Lester James Peries’ maiden Rekhawa was the first
Sri Lankan film to contest at Cannes in 1957.
Vimukthi’s
debut feature film has been selected within the official selection
for the Camera d’ Or (Golden Camera) which will be awarded
for the Best Director for the first feature film at the 58th International
Cannes Film Festival which is scheduled to be held from May 11 to
22, 2005.
Commenting
on the highlights of this year’s festival, the head of the
film selection body at Cannes Festival, Thierry Frémaux said
that in the competition section throughout the selection, Asian
cinema has confirmed its strength with China, Japan, Taiwan, Korea
and even Sri Lanka.
“The
continent is very active and illustrates its creativity in both
genre cinema,” he remarked. It is no longer suitable to talk
about their cinema in terms of emergence but in terms of confirmation,
it is a strong trend that has a great public following. In geographical
terms we also have to acknowledge the emergence of Latin America:
Mexico, Brazil and Argentina. Very interesting things are happening
there counterbalances the presence of Asia.
This
year, world acclaimed Iranian film Director Abbas Kiarostami, will
be the President of the jury for the Camera d’ Or while Hollywood
filmmaker Alexander Payne will be the President of the jury.
With
this nomination, Vimukthi joins the rare group of world famous filmmakers
who were selected to the Cannes Film Festival with their debut feature
films such as Satyajit Ray, Ingmar Bergman, Francois Traffaut, Dr
Lester James Peries, Shaji. N. Karun and Samira Makhmalbaf.
“Sulanga
Enu Pinisa” (Forsaken Land) is the maiden film of Vimukthi
who has a number of short films. They are “Thibiri Dela ”(1996),
“The Land of Silence” (2001) and “Vide Pour ’Amour”
(2002) to his credit.
In
“ Sulanga Enu Pinisa” the murder epitomizes loss of
humanity, and defines mankind’s gradual descent into madness
and barbarity. The film revolves around a few isolated characters
living in a vast, desolate region close to the theatre of war.
The
film follows each individual as they wonder around aimlessly, and
seemingly without hope; in a quest for meaning. The harsh terrain
and the trauma of past violence have left them incapable of finding
any resolution to their alien existence. Despite the cease-fire,
the characters see no redemption from the horror of their past or
their uncertain present. The listless existence of one of the villagers
leads to an incompressible crime: driven to murder an unknown assailant
under the cover of darkness, the scene is a haunting allegory to
Raskolnikov’s murder of a money-lender in Dostoyevsky’s
Crime and Punishment.
The
film is written and directed by Vimukthi Jayasundara, co- produced
by Philippe Avril, (Unlimited France) and Dr Chandana Aluthge (Film
Council Production) in Sri Lanka.
The
script of the film won the Prince Claus Film Grant Award for the
best Cine Mart project at the Rotterdam Film Festival 2004. The
film was financed by the National Centre for Cinematography (CNC),
European TV Channel Arte, with Onoma as world sales agent and French
distributor.
It
was shot in Sri Lanka last year with the assistance of a technical
specialist from France and the cast includes Mahendra Perera, Kaushalya
Fernando, Nilupuli Jayawardana, Hemasiri Liyanage and Saumya Liyanage.
Channa
Deshapriya handled photography, Nadeeka Guruge directed the music
and Gisele Rapp-Meichler and Rukmal Nirosh handled the Editing.
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