ISSN: 1391 - 0531
Sunday September 23, 2007
Vol. 42 - No 17
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Getting to know the Percy’s, Emily’s Menaka’s... and others among us

By Madushala Senaratne

In Family Panorama, Milinda Rajasekera provides a simple and accurate account of the Sri Lankan urban middle-class home along with the rigid social structure which plays a significant role in our lives. Originally produced as a radio serial play during the 1990s, the author explores a range of popular and relevant themes such as family, marriage and social values through each of the plays. Family Panorama is not merely a literary text - the author’s unmistakable and familiar portrayal of Sri Lankan society, the range of characters, the use of simple language and humour makes it a valuable and useful read for anyone.

The plays in Family Panorama revolve mainly around the activities of the Karaliyawaththa family, their neighbours and friends. The range of characters with their strengths and weaknesses presents to us the many facets of human life. The plays are filled with humour and joy as well as conflict, sorrows and pain. However, beneath the simplicity and humour of the plays lies a clear message that Rajasekera wittingly or unwittingly explores: the role of society, its beliefs and values in defining an individual. Are we social constructions then? Or, mere actors, as Herbert Karaliyawaththa suggests by quoting Shakespeare? If reading the plays in this light, each character is well placed within an already constructed and well-established social structure. Percy Karaliyawaththa, the head of the household portrays the ever-so present and dominant male-figure. A middle-aged man who frequently enjoys a drink at the club, Percy is largely dependent on his wife, Emily. The hardworking housewife and over-concerned mother, duty-bound to serve those around her is well represented through Emily Karaliyawaththa.

Meanwhile, Rajasekera also lays great emphasis on the role of the teacher and the notion of change. Berty Karaliyawaththa, Emily’s brother is a middle-aged bachelor and dedicated teacher who has order, discipline and method in his work. Rajasekera portrays the teacher as a person who moulds and guides the future generations, an educator and an exemplary character. Furthermore through Berty and Menaka, the author highlights the need for change to achieve progress. Menaka Karaliyawaththa, the educated and intelligent daughter, interested in art, literature and drama presents to the reader the changing social order, the future generation.

Rajasekera’s accurate portrayal of other contemporary issues such as marriage, neighbours, property and western or colonial influence makes Family Panorama a timely and appropriate text. The language used is simple and colloquial, thereby reaching out to the majority of people. The humour, simplicity and relevance of the plays make it an enjoyable text worth reading. Moreover it is a good light-hearted read for those wishing to gain a considerable understanding of various aspects of Sri Lankan society.

 
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