ISSN: 1391 - 0531
Sunday October 28, 2007
Vol. 42 - No 22
Mirror

Terrific movie musical

The Producers
Starring: Maththew Broderick, Nathan Lane,
Uma Thurman
Directed by: Susan Stroman

One piece of advice. If you ain't into Broadway, you ain't going to be into this movie. Based on the 1968 film starring Zero Maestel and Gene Wilder, and the smash hit on Broadway, the story of a failing Producer named Max Bialystock (Nathan Lane) who has just had the worst show in town called Funny Boy, a musical version of Hamlet. Distraught he runs into accountant Leo Bloom (Mathew Broderick) who comes up with the notion that you can make more money with a flop than with a hit. Max overjoyed to hear such wonderful news lays it all out. Step 1.

They find the worst play ever written, the "mother lode" as Max calls it when he comes across Springtime for Hitler, written by neo-nazi Franz Liebkind. Step 2. Hire the worst director, a prime and proper gay man named Roger Debris who wants to keep everything gay! Step 3. Raise 2 million dollars from Max's backers: harmless little old ladies looking for a last roll in the hay. Step 4 Open on Broadway and before you can say step 5 they close and run off to Rio. All goes well until Springtime for Hitler becomes a success leaving Leo and Max in the dust.

People have been comparing it to the original, which sure has some of the same lines, and the story is the same, but both shows have something different to offer. You get songs in this version that you don't get in the original. Nathan Lane tears up the screen and will have you in stitches as Max; his show stopping number "Betrayed" will have you applauding.

Matthew Broderick is also very good as Leo who can't grab life by the balls and go. He sings "I Wanna Be A Producer" with such gusto and dances with Uma Thurman, who is amazing as Ulla, and their dance number has sheds of the old Astaire and Rogers's musicals of the 30s.

Ulla rocked! I never for the life of me expected Uma Thurman to pull off the role of a Swedish wannabe actress with such pomp and gusto! Her dancing was spectacular and her comic timing more than perfect. Mathew Broderick showcases his true talent as Bloom and does much more credit to himself than he ever even attempted to with Stepford Wives and Inspector Gadget.

Also excellent, are Will Farrell as the Nazi who speaks to his birds and Gary Beach and Roger Bart as Roger De Bris and Carmen Ghia the gay "couple" who want to put Springtime for Hitler on the stage, both stand out in the cast, and both played the roles on Broadway. Other familiar faces you will see are Jon Lovitz as Leo's accounting firms boss, Michael McKean as one of the prisoners and Richard Kind as the Jury Foreman who took over in the Nathan Lane role on the stage.

Susan Stroman doesn't make the camera cuts flashy, they are simple, which makes it more enjoyable to watch the dance numbers, from the opening number to the hilarious "Along Came Bialy" when the old ladies do a dance break with walkers, to "Keep it Gay" to the uproarious Springtime for Hitler number. The best-staged number was probably "I Wanna Be A Producer" as it has shades from the 30’s mixed with modern day. It was wonderful! If you listen to some critics who choose to say "this film shows inexperience" or "not as good as the original," you are missing a terrific movie musical that is just as good as Chicago! Plus Mel Brooks was also standing there at the helm with Ms. Stroman. Be advised to stay until the very end of the credits to view something special! Bravo!

One spoiler thought – I wish I had been able to watch it on the big screen! Words of Wisdom – You sniveling cowards. Cringing under a desk. Clinging on for life like baby butterflies. I am going to show you how to die like a man Watch it if you liked – Rent
Movie Hall of Fame – Maybe!

Watched a good movie? Let us know all about it at filmreview.mm@gmail.com – let's spread the movie "buff"iness!

P.S. Thanks for all your mails!

 
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