The year is 1934 – a time long before film was introduced to colour and Dolby Digital, when the world was still seen only in black and white through shaky images. The opening scene is a thovil (exorcism) ceremony with the haunting music of a rare Sinhala verse playing in the background, followed by an equally eerie mix of horns, strings, cymbals and bass, recorded in poor quality, but effective and terrifyingly beautiful all the same.
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