Hania Luthufi has many cousins. It was in their company that she had her first “voice training sessions” – learning how to recite the Quran in classes organised in the family home. “I shared my childhood with about 15 cousins,” she says, “all of us lived in the vicinity. Everyday at 4, us grandkids would [...]

The Sundaytimes Sri Lanka

Finding her own between jazz and Indian classical

Broadening her musical horizons at the Santiniketan, young singer Hania Luthufi talks about her experience at composing
View(s):

Hania Luthufi has many cousins. It was in their company that she had her first “voice training sessions” – learning how to recite the Quran in classes organised in the family home. “I shared my childhood with about 15 cousins,” she says, “all of us lived in the vicinity. Everyday at 4, us grandkids would be taught together.” Hania has since had many teachers, the newest of which are her gurus at the Viswa Bharathi, Santiniketan in West Bengal, India. In the town where Rabindranath Tagore built a home, Hania is studying the songs he wrote while undergoing her training in Indian classical vocals and learning how to play the tabla as part of a B.Mus. The last she says provides the perfect break from focusing on pitch and note – for a while at least, it’s all about the beat.

Pic by M.A. Pushpa Kumara

Hania is fresh from ‘Bass for Voice II’ in Galle, the second in a series of concerts she and double bass player Isaac Smith have been collaborating on. There’s a video of their performance up on youtube –Hania’s lovely voice twining around the thrumming of the strings as Isaac plays ‘My Baby Just Cares for Me.’“It’s really bare, so it’s interesting how we have to stick to each other to make that melody work,” says Hania. The clip is from their first concert, for the second they stepped outside the bounds of jazz and experimented with some Indian classical music for the bow bass while incorporating samples and beats. Hania also turned to some of her favourite poets for inspiration, making lyrics of their poems.

Her own experiments with writing lyrics also read like poetry. Most of her recordings exist as rough pieces, lying in friends’ email boxes or turned into CDs and birthday gifts; they are nowhere near being a complete album. “When I know the time is right, I’ll polish it and complete it,” she says. Much of her most recent work in writing original music has been with The Flaming Mungoes – a band made up of students from Santiniketan, all of whom have in common a passion for Indian classical music but whose influences range from medieval church music, American Jazz, Soul, Roots Reggae, Folk, African chants and more. With them, Hania has been exploring her ability to improvise – she says it’s what both the traditions of Jazz and Indian classical have in common. “The surer you get of a melody, the freer you become of it.”

Having performed together (a lovely video filmed in a fir forest records Hania and her band mate, the French guitarist Axel Onnestead on an acoustic performance) The Flaming Mungoes are considering recording an album in France. Their work reflects Hania’s own concerns as an artist as she explores the kind of musician she wants to be. Increasingly she feels the times call for music that has a message in it. “I would say my writing always speaks of a yearning to go slower, to make every exchange a sincere one, to not have all these conditions we have between ourselves as human beings,” says Hania.

Her ambition has evolved considerably from when she was a young student of Ruwani Seimon and a member of the Bishop’s College choir (and later at the Elizabeth Moir School). Having begun performing around the age of 15, her earliest mentors were the people she played with like Jerome Speldewinde, Stephen Phillips and Ray Gomez, her influences the “serious listening sessions” with good friends and their parents. In those years she moved a lot from duos to trios to quartets, playing at events at Barefoot and at Jazz Unlimited. She remembers in particular the lessons in articulation, intonation and phrasing from her collaborators that defined the way she delivered a Jazz piece. (“It is how you shape the word that makes Jazz,” she says now, “Jazz is a feeling that you carry.”)

Her time at Santiniketan has given this young artist the self-assurance not only to challenge herself but also to return home. “Dipping in and out of Sri Lanka I can see my confidence as an artist grow,” says Hania.

Catch Hania in concert on August 17 at the Sundowner at the Colombo Swimming Club. Tickets priced at Rs.500 are available at the Colombo Swimming Club Reception.




Share This Post

DeliciousDiggGoogleStumbleuponRedditTechnoratiYahooBloggerMyspace
comments powered by Disqus

Advertising Rates

Please contact the advertising office on 011 - 2479521 for the advertising rates.