Exploring many-layered ‘migration’
In her 2016 poem-manifesto, Cecilia Vicuna cracks open the meanings of everyday words – “immigrant”, “migrant”, “grant”, “species” – holding them up against new light and reflecting on the zeitgeist at the time. “Language is migrant. Words move from language to language, from culture to culture, from mouth to mouth. Our bodies are migrants; cells and bacteria are migrants too. Even galaxies migrate. What is then this talk against migrants? It can only be talk against ourselves, against life itself,” writes the Chilean artist and poet.
“Let’s migrate to the “wounderment ” of our lives, to poetry itself,” she urges, asking for reflection, playfulness and complex public conversations, offering a portmanteau between ‘wondering’ and ‘wounding’, as an embodiment of our condition.
The seventh edition of the interdisciplinary art festival Colomboscope that opens this week uses Vicuna’s words as a springboard to similarly explore and unpack several concepts embedded in our everyday – some more pertinent than ever before in light of COVID-19, migration flows and changing political and social contexts.
This year’s festival brings together over 50 Sri Lankan and international artists, with a special focus on South Asian dialogue and encounters with cultural practitioners from the diaspora. Curated by Anushka Rajendran with artistic director Natasha Ginwala, Colomboscope explores concepts of belonging, identity, mobility, hybrid identities and more.
For instance, Rajni Perera’s work at Colomboscope is a result of a residency experimenting with studio pottery, inspired by utilitarian clay vessels found across the island. It also responds to forms such as cones and spheres long associated with sacred energy diagrams related to Hinduism, Jainism, and Buddhism. Belinda Zhawi’s sound work, ‘Black Skin, White Lines’ (Episode Two, Track 2) and her use of her matrilineal totem of the zebra becomes a personal balancing act while also drawing attention to the distinctions of animal and human. Danushka Marasinghe’s artistic practice maintains an interest in surveillance culture, histories of violence, and the spectacle economy while Mounira al Solh’s work at Colomboscope includes an ongoing collaborative project: ‘In Blood In Love’ involves 24 women in Sri Lanka, responding to lexicons of love through embroidery, dialogue and language.
For Colomboscope, Pangrok Sulap – a collective of artists, musicians, and activists based in Sabah, Malaysia – collaborated over several months with the Sri Lankan music group The Soul reflecting on shared similarities and the histories of both countries. The woodcut print produced and sent by Pangrok Sulap to Colombo is based on these exchanges and will be presented with a performance by The Soul at the Colombo Public Library.
Adopting a responsive festival model, Colomboscope has also adapted to the global changes over the past years holding workshops and outreach programmes, online screenings, collaborations and more.
Colomboscope 2022 will be open from January 21 to 30. All events are free and open to all.
Exhibitions and events are spread over six venues across Colombo: Colombo Public Library, Rio Complex, Barefoot Gallery, W.A. Silva Museum, Lak Café – Viharamahadevi Park and Lakmahal Community Library.
Events are at limited capacity. For the full list of events, registration and more info, please visit: https://www.colomboscope.lk/programmes
Event spotlight | |
Date and time : January 21 – 30, 4 – 6 pm (daily) Location : Lak Café, Viharamahadevi Park Event :
Date and time : Friday, January 21, 6.30pm – 8.15pm
Date and time : Saturday, January 22, 4 – 5 pm
Date and time : Saturday, January 22, 7.30pm onwards
Date and time : Saturday and Sunday, January 22 & 23,
Date and time : Sundays January 23 & 30 , 10 – 11am
Date and time : Sunday January 23,
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