The rhythm of Kanyakumari
Kanyakumari, the southernmostpoint in the Indian subcontinent is a quaint
fishing village in the state of Tamil Nadu. Travelling in air-conditioned
comfort on the Kanyakumari Express, I made the fifteen-hour train journey
from Chennai, taking in the beautiful vegetation, the railway stations
that throbbed with activity and the vadais, idlis, chapathis and betel
packs (the sweet, fragrant Indian version) sold along all the railway platforms.
Kanyakumari! The word conjures up images of a virgin princess, but interestingly,
this picturesque place of Hindu worship is dedicated to Goddess Parvathi,
the wife of Shiva. Kanyakumari, also known as Cape Comorin has a population
of 20,000 and is the 'Land's End' of the Indian subcontinent. This is a
blessed land, a punyathirtha where the waters of the Indian Ocean, the
Bay of Bengal and the Arabian Sea intermingle. Daily, people flock to the
bathing ghat to purify themselves in the waters thereby cleansing their
souls before paying homage to the Devi Amman Temple.
Having arrived at Kanyakumari early morning, we began a familiarization
tour. The first thing that struck me was that my jeans and short blouse
were almost a violation of the sanctity of the little village, and there
ensued a search for white kurtas to make me more locally acceptable!
We book into Hotel Maadhini, an upmarket little hotel with balconies
virtually overhanging the village. The village appears untouched by consumerism.
One finds abject poverty, families living in ramshackle houses, beggars,
and street vendors. But for what it lacks in terms of material riches,
it makes up in spiritual significance
While we have a quick breakfast at the Saravana, a popular eaterie in
the sleepy town, waiters tell us that during the April-May season, the
price of every item increases 100%. In this village by the sea, the main
livelihood is fishing. Dozens of boats could be seen in the morning, returning
to the shore. Women help men to market the fish. Seated on the fishing
boats, the village barber is seen shaving a fisherman using outdated equipment.
But all that seems to settle comfortably into the Kanyakumari ambience.
Its rustic life is not stirred by intrusions of the rest of the world.
Dream come true
It was a childhood dream come true for me when I visited Vivekanandapuram.
As we made the short journey on a ramshackle boat, the sea-view of the
twin rocks was magnificent. The memorial stands on one rocky islet about
400 km offshore where Swami Vivekananda meditated in 1892 before embarking
on a spiritual journey around the world. The Mandapam was built in 1970
by grateful Indians who pooled their resources to build a grand memorial
for their spiritual guru to celebrate his birth centenary. The memorial
reflects architectural styles from all over India.
The Memorial seeks to prove that during the few years of his public
mission, Swami Vivekananda crammed in the work of many lifetimes and demonstrated
his inexhaustible love of mankind. Sister Gargi (Marie Louise Burke) once
noted that Swamiji was so extraordinary that those who came within his
orbit could not miss his grandeur.
The first among the Mandapams is the Sri Pada Mandapam, a natural projection
of the rock which is believed to be the footprint of Goddess Parvathi in
one of her incarnations as Kanya. Legend says that Parvathi visited Kanyakumari
seeking the hand of Shiva. Beyond the Mandapam lies the Hanuman Hill. It
is believed that Hanuman in his haste to transport medicinal herbs to Rama
who was fighting Ravana in Sri Lanka carried a portion of the Himalayas,
and in his haste dropped a portion in Kanyakumari which is famous even
today for its rare herbs!
Next is Sabha Mandapam where an impressive statue of Vivekananda stands
in the centre. This is the place where he is supposed to have acquired
great wisdom. It is believed that he was seated on the particular rock
upon which his statue has been built. And it is here that I stumbled upon
a photograph of Swamiji, along with a host of other world religious leaders
including Sri Lanka's Anagarika Dharmapala, at the World Parliament of
Religions way back in 1893 in Chicago.
But what touched me most was the Dhyana Mandapam, a unique meditation
room. People quietly sit and meditate in the dark room where a single green
light illuminates an engraved 'Om' sign.
On the other rock, stands the majestic 135 foot statue of Thiruvalluvar,
the great Tamil poet who wrote the Thirukkural.
Evening is a spiritual affair in Kanyakumari. We make more discoveries
by visiting the Kumari Amman Temple. Legend has it that Devi Kanyakumari
singlehandedly conquered demons and secured freedom for the world. Pilgrims
visit the town mainly to invoke her blessings and to thank her for ensuring
freedom for humanity. A car festival is held between May and June when
an idol of the goddess is taken in procession. Between September and October,
devotees celebrate the Navaratri Festival (nine nights), to celebrate the
Devi's victory over demons. It is no wonder that barren women come here
to appeal to the warrior goddess to bless their lives, as do men, who seek
various favours.
Close to the Amman temple stands the simple cream and blue Gandhi memorial,
an Orissa style structure that attracts the visitor's eye by its absolute
simplicity. This was the place where some of Mahatma Gandhi's ashes were
stored until they were scattered in the sea. The building has been designed
in a unique way so that on Gandhi's birthday, October 2, the sun's rays
fall on the place where his ashes were kept.
Sunset on the beach
Dusk means much activity on the Kanyakumari beach, especially at the
place known as the "sunset viewing point." People of all ages flock to
the beach. Women in glamorous saris, their hair adorned with flowers, children,
youth and even men patiently waiting to view the sunset. Some fulfil their
vows and bathe in the pure waters of the ghat fed by the three seas while
some remain in quiet prayer. Meanwhile the vendors also do a little business
by selling glass bangles, chains, shell products and little trinkets among
the ice cream sellers and the peanut vendors.
It is said that Chitrapurima (April full moon day) is one of the best
times to view the sunset and moonrise over the ocean. Pilgrims come here
in large groups and though the beaches are popular, this is essentially
a pilgrimage town- a place for spirituality.
Hotel Maadhini organized a sightseeing tour for us the following day
and the journey began with a visit to the Vivekananda Museum which records
vivid details of the extensive journey undertaken by the Swami Vivekananda
in his quest for religious revival. It is a place to discover the spirit
of Vivekananda and I could understand the wisdom in the old saying: ' To
know Swami Vivekananda is to know India.'
Our next stop was the magnificent Suchindram Temple, where Lords Brahma,
Vishnu and Shiva are depicted in one form and where the famous eleven musical
pillars are found. It has ancient records inscribed in Tamil, Sanskrit
and Pali.
Suchindram I noted with awe was more than a place of religious worship,
it was a work of art. The 5,000-year-old structure has many inner shrines,
each being more than 1,500 years old.
There are rows and rows of statues, each significant, with its own divine
tale. One of its most outstanding features is the hallway with 1117 granite
carved statues of goddesses bearing traditional oil lamps. I could well
imagine the beauty of the hall when the lamps are lit at eventide!
A beautiful statue of Nandi, the vehicle of Shiva made out of seashells
alone adorned the next hall, near the eleven musical pillars and the Kathakali
pillars. As I pressed my ear against the pillars, I seemed to hear the
rhythm of India itself. The pillars are a great manifestation of the heights
of Indian art.
It is here again that you find the world's only female statue of Lord
Ganesha, known as Wigneshwari and the 18 foot statue of Hanuman, the monkey
god. The statues are liberally covered with butter and the poosaris bless
devotees by rubbing a bit of butter on their eyes.
Next we went to the Century circular fort in Vattakottai, an 18th Century
stone creation where the seashore resembles a rainbow with its multi-coloured
mineral sands, with hues ranging from black, brown and purplish bronze
to brick red! Yes, I had my fill in Kanyakumari. |