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From grand sounds to delightful pieces
The European Union Chamber Orchestra (EUCO) "From Bach to Bartok". Review of concerts on November 15 and 16 at the Bishop's College Auditorium.

The European Chamber Orchestra on its third visit to Sri Lanka gave two concerts in Colombo and one in Kandy.

The programme of the first concert in Colombo was: Bach (1685-1750) - Concerto for two violins in D minor; Buxtehude (c.1637-1707) - Canzonetta; Handel (1685-1759) - Three Arias; Dvorak (1841-1904) - Two waltzes - op 54; Respighi (1879-1936) - Ancient Airs and Dances.

The famous D minor concerto for two violins and orchestra is one of the happiest products of Bach's contrapuntal genius. He uses the two violins as independent voices. The first movement is treated fugally in cathedral-like grandeur. His second movement, one of my personal favourites, endows the fugal form with intensely felt emotion. The concluding movement moves briskly to an exciting finish.

Knut Zimmerman, the Guest Director and Anna Biggin, the leader, gave a sensitive interpretation of this work to open the concert.

The canzonetta by Buxtehude C 1637-1707, is an arrangement of strings of one of Buxtehude's contrapuntal organ pieces. Buxtehude was one of the outstanding composers of the organ before Bach, and his influence upon the master was profound. "As John the Baptist was to Christ," wrote A. Eaglefield Hull, " so was Buxtehude to Bach". in the canzonetta each of the short sections are based on a single melody. As Parry wrote, "Buxtehude's whole manipulation of detail, harmony, phraseology and structure is singular by mature and full of life," as we experienced in this arrangement for strings. There followed three familiar arias by Handel, sung, with dramatic sensitivity and feeling within a comfortable range by Preshanthi Navaratnam assisted by an admirably supportive accompaniment by the EUCO. She sang "Where-e'r you walk" from "Semele" an opera-oratorio, " lascio ch'io paiange" (not the largo) from " Rinaldo", an Italian opera composed on a special commission in England in 1710 and which took London by storm after its first performance, and "Rejoice Greatly" from part 1 of the "Messiah".

The Two Waltzes by Dvorak were originally meant for a quartet. It employs the Viennese Waltz rhythms but the Slav idiom pervades the melodies used. The second in D major is a particularly delightful piece.

The concert ended with the third set of Ancient Airs and Dances by Respighi. Born in Bologna, Respighi showed an interest in ancient music and arranged a string version of a lutenist's Airs and Dances. These slight pieces exemplify Respighi's feeling for construction and expression of serenity.

The Programme for the second concert was:

Vivaldi (1678-1741) - Concerto for Two Violins in A minor, Op.3 No.87;Mozart (1756-1791) - Divertimento K. 136 in D major; Bach (1685-1750) - Violin Concerto in A minor; Tchaikovsky (1840-1893) - Elegy for strings in G major; Mendelssohn (1809-1847) - Symphony for strings in B minor, No. 10 and Bartok - Rumanian Dances.

Vivaldi's Concerto for Two Violins in D minor is the most popular and one of the greatest of Vivaldi's works in the Opus. 3 set entitled L'Estro armonico, which consists of 12 pieces. The slow movement marked Intermezzo, is one of the most sublime and moving pages of music to be found in the literature before Bach. The final movement comes in a powerful sweep to end the concerto.

Mozart Divertimento K 136 in D major is a mainly light-hearted work for string ensemble with the fast-slow-fast format. It is one of three effervescent, entertaining divertimenti of Mozart's youth, which are among the most polished productions of this period. They are sometimes called the "Salzburg Symphonies".

The violin concerto in A minor of J.S. Bach followed. It is less well-known than the popular one in E major. The soloist, Knut Zimmemann, directed the performance and joined with the orchestera in the tuttis. The slow movement is characterized by the prominence of the cellos and double basses playing by themselves, and this was effectively brought out by the excellent lower-range string instruments of the orchestra. Tchaikovsky's Elegy for strings in G major, conveys the tragic mood of much of his music, ending with a more positive final section in the major key.

Mendelssohn's short symphony for strings in B minor was composed at the age of 13. The violas of the EUCO, which here divided into two separate parts, gave us a splendid example of how this instrument should sound in ensemble. The Rumanian Dances of Bela Bartok were orignially for piano, but in this version for string orchestra it brought out the folk melodies played by a lone violin accompanied by the rough and unrefined sounds of the rest of the orchestra as Bartok meant it to be.

Both concerts demonstated the quality of the string sounds of the EUC and could be taken as an object lesson for our young instrumentalists now being produced in large numbers in this country. It was pity that the hall was not as full as it should have been. The choice of a smaller hall with better acoustics like the Lionel Wendt Theatre, I am sure, would have added to our enjoyment.
-Dr. Lalith Perera


Book review
Song of inner liberation
With the market economy and related factors dragging journalism and many journalists also to the temptation of self interest or personal gain and glory, it is inspiring to read something on a higher dimension from a senior working journalist.

Lynn Ockersz, Associate Editor and leader writer of the Ceylon Daily News, touches inner liberative dimensions and the highest points of social involvement and responsibility in his book of poems titled "Flame and Sparks". Lynn says poetry of this dimension did not come easily to him until religion went from the head to the heart and to a liberative relationship with Jesus, which opened the way to a commitment to the highest ways and values in life. "Although essentially devotional in nature, these poems also reflect my concern for the socio-political crises which have gripped Sri Lanka over the past few years. I consider the two dimensions as interrelated because I have come to conceive the Creator - God, whose "hand is in history", says the reflective and soft spoken Lynn in a foreword to his book of 35 poems.

Lynn speaks of the gradual groping torment within the human spirit till a long-raging night is past, a moment of truth dawns and a new life of discovery of the inner space begins. He speaks of the long tormented trudge in search of why we are here, what we are doing and where we are going. He speaks of the re-discovery of the living Jesus, whose ways and values are untouched and unscathed by domineering power, fame or position and privileges or material riches. Verbalizing the personal experience of a new life within, Lynn says, 'As in the days of yore, when Thou opened the hard, dry rock of the desert, to quench the burning thirst, of Israel's dejected, sore-footed wanderers, with Thy freely-flowing living waters - shower Thy grace upon us too O'Lord.' Lynn's tirelessly thrusting spirit within takes him beyond personal sanctification to the broader dimension of taking responsibility for the welfare and well-being of others, of society and country, of nature and the whole universe - seeing it all as one big cosmic symphony.

Looking at war ravaged Sri Lanka he says, "May Thy forgiveness and love O'Lord, water and make whole, this parched tear-drop isle, where slow hell-fires burn, breeding poverty and power-lust, taking man back to his primal nakedness and burning shame." Striking a note of hope that the power of dialogue, accommodation and justice would triumph over hatred, bigotry and war, Lynn says, "No match of the Sword of Thy word, which cuts long and deep, and frees the drooping spirit, from heavy chains enslaving, are these bombs and bullets and jackbooted palace guards of panic-hit rulers, fleeing the warning finger's writing." In one of the poems titled "Desert Bloom" Lynn perhaps gives the theme and thrust of his experience and the message he is trying to communicate. "The heart has its hurdles - its coal - hard hatreds, its searing - hot envies and ambitions, and these dangerously - lurking maladies, of self to tame and conquer. Touched with Thy freely-flowing spirit O'Lord, may this bone-dry desert of the self, yield a bloom sublime of the waiting Man-God within."

Lynn has been my friend and colleague for some 25 years. Reading and being inspired by his book of real life poems makes me happy and proud of that enriching relationship
-Louis


Winged angels and flying three - wheelers
" I love to watch-people, whether in the garden at Barefoot, on the streets of kandy or just while travelling around," says British artist Alex Stewart who visits Sri Lanka once again to hold an exhibition at the Barefoot gallery.

An accomplished artist, Stewart who has exhibited in three galleries in London this year, was recently commissioned to do the illustrations for the latest edition of Grimm's Fairy Tales to be published in the UK.

Stewart has a particular fondness for Sri Lanka. " I have felt a sort of magic in Sri Lanka and the feeling of being watched over. In my paintings there are often winged angels and flying three-wheelers evoking this magical other life all taking place in a paradise garden which the forests of Sri Lanka so remind me of," he writes.

There's more than a touch of whimsy in his works too. " I too appear up a banana tree or setting off fireworks and even having tea with an angel," he adds.

" To put it in his own words, " Essentially these paintings represent a small part of my experience in Sri Lanka and are an episode in an ongoing adventure where everything I see, taste, smell and hear are a challenge to my English roots_ which can only be a good thing."

Alex Stewart's exhibition of paintings done in oils now on at the Barefoot Gallery continues until December 1.


Capturing vivid scenes from the wilds
An Exhibition of Wildlife Photographs by Rukshan Jayewardene will be held from November 28 to 30 at the British Council Hall, Colombo from 9.30 a.m. to 7.30 p.m. each day. It's open to all and free of charge.

Photography has been an abiding interest for Rukshan Jayewardene for many years and most of his photographs are of nature. Visits to national parks especially to Yala inspired him to take up wild life photography seriously.

The phtographs to be exhibited at The British Council span the short period from 2000 to-date, with pictures from his recent visit to Southern Africa. He specializes in photographs of birds and leopards, the latter especially through his collaboration on a book on the Sri Lankan Leopard.

Most recently Rukshan won an award at the prestigious BG International Wildlife Photographer of the year 2002 competition organised by the BBC and the Natural History Museum in London.

He received the 'Highly Commended' award for his photograph "Hawk Eagle Grappling with a Monitor'' in the Animal Behaviour/Birds - Pictures category. This photograph is currently on display at the Jerwood Gallery of the Natural History Museum with 80 other award winning pictures in various categories.


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