Mirror Magazine

 

Making believe
By Esther Williams
There's nothing more fascinating for children than to don some dramatic costume that transports them into an enchanted world of make believe. How they love pretending they are their story book heroes, dragons or knights. We often see a child with a towel draped around him like a cloak, brandishing a coat hanger, his pretend weapon. Little girls are no different as they masquerade as either a princess, nurse or teacher.

It is this special make-believe world that Shamila Fernando helps create during her spare time. She designs stunning costumes of dinosaurs, space age robots, medieval ladies, flowers or birds. "It is something I have loved doing since I was a child," she says.

Shamila recalls how her brother, seven years her junior could not really participate in her games. "So on my own, I would pretend to be a royal lady or a pirate and dress for the part." Free time and holidays would therefore see her strutting about the house in her mother's shoes having experimented with her make-up and accessories.

As she grew older, Shamila maintained a scrapbook where she collected drawings and pictures of fashion designs although her parents urged her to concentrate on her studies rather than spend hours thinking of patterns and designs. Then she worked as an airhostess for almost eight years, first in Sri Lankan and later Kuwait Airways. During this time she met different people, visited shops in other countries and was able to observe people, besides being exposed to new fashions and designs, inspiring in her ideas that she stored away for future reference. It was much later than she did a course in dressmaking.

During the past five years, Shamila has been approached by many parents to create costumes - for characters in the Renaissance period and others of historical significance, super heroes, fairy tale and Halloween creatures. "Most challenging of all have been the fantasy characters like the Swan princess, where I have had to combine a swan-like character with a human body.

"I try to make the costumes as close to the original as possible - especially when it comes to making animals, their eyes, fur, stripes and tail." Very often she also has to research a character, its period and relevance, from books and the Internet and that takes time. She then does a sketch, improvising with colours and patterns, in consultation with parents. It is easy when parents show her a picture of what they want.

Shamila often goes to Maharagama or Pettah, scouting around for different kinds of materials and trimmings, to match exact shades and colours. The costume may need headgear with hats, wreaths or special ears; the main part with fur or special materials such as silver/gold lame; and finally webbed feet, flippers or pointed and curled shoes. All these little details go into creating characters that look like they have just stepped out of a fairytale, a horror movie, etc. She also advises parents on the appropriate make up needed for that special effect.

Seeing the children on stage in her costumes and their amazing transformation, she feels a great sense of achievement. "It's worth the entire effort and rush to meet the deadlines," she says.

Not many do costumes in Sri Lanka. "It is a field that has not quite developed, she says. However, there is something always happening for school children - assemblies, religious ceremonies, dramas, parties, etc. when they need costumes. Most parents put in a great effort to transform their children into the characters their roles demand.

For Shamila, what started as an enjoyable hobby has turned into a creatively challenging profession.


Shakespeare Live and Unplugged
Feroze, Adam and Anuruddha preview "The Compleat Wrks of Wllm Shakespeare"
Usually, plays are pre-viewed by theatre critics and such important personalities who are invited to a rehearsal to inform readers of the merits of the play. As we have done in the past Stagefright&Panic, in keeping with our policy of turning the theatre world on its head, have decided to do the preview ourselves. The reasoning behind this is simple:

1. The actors know the play and the production better than anyone else.

2. The actors will never write anything detrimental to the production. Therefore the production benefits more from a preview written by the actors.

3. Stagefright&Panic do not know any theatre critics or important personalities.

4. This is the first preview that is openly acknowledged as having been written by the actors themselves.

Firstly, a simple insight to the plot. The play is an attempt by three actors to perform the complete works of William Shakespeare in 'one evening of theatrical harmony'. Consider that Shakespeare wrote 37 plays and 154 sonnets (or was it 36 plays? Who cares? These guys do everything the Bard wrote) and you would appreciate that performing the complete works of the Bard takes some doing!

Starting with the best love story of all time, Romeo & Juliet (in which Adam and Feroze play ALL of the major character roles) and ending with Hamlet, the Compleat Wrks is a fine tribute to the greatest of all English playwrights.

Rehearsals for this show, reveal three brilliant actors immersed in their work. The discipline displayed at rehearsals has been amazing. They started the rehearsal on time and proceeded to unveil a magnificent display of character acting.

Complementing each other, Adam, Anu and Feroze made Shakespeare look simple while bringing out everything that makes Shakespeare the great playwright that he was! Superlative acting, brilliant interpretation, wonderful costumes, daring action sequences, skilful modern touches, super choreography, enchanting music, dazzling lights and the kind of magic that only the works of Shakespeare and the talents of Stagefright&Panic can create!

This is a play not to be missed, this is a play that will thrill you, enchant you, humour you, dazzle you and leave you with the kind of memory that only something very special can give you!

Imagine, the haunting magic of Romeo & Juliet, the action of Macbeth, the political intrigue of Julius Caesar, the geopolitical power struggle of Antony & Cleopatra, the lofty poetical enchantment of Hamlet, in ONE SINGLE EVENING! That is what the Compleat Wrks is all about.

The Compleat Wrks is funny, very funny, actually very very very funny! This is what makes it so special. This is not just a run-of- mill comedy, this is comedy of the best kind, this is comedy acted by comedy virtuosos. In fact these three actors have been asked to perform this play in exotic locations such as London, Paris, New York and Bosnia!.

The Compleat Wrks of Wllm Shkspr is as the Los Angeles Herald described it "Shakespeare as written by Readers Digest, performed by Monty Python and performed at the speed of the minute waltz. So forsooth! Get thee to the delightfully fractured complete works!".

Audiences are advised to purchase tickets early to avoid disappointment and the authorities have been alerted on possible protests by members of the public who are not able to obtain tickets for this spectacular theatre event!

The Compleat Wrks of Wllm Shkspr is sponsored by Ceylon Theatres, and by Dialog GSM. The electronic media sponsor is Yes FM. The wonderful costumes were conceptualized and designed by Sonali White of the Haddai label. Tareeq Musafer has put together the enchanting sound track. The play is produced by StageLight&Magic Inc. The official newspaper is The Sunday Times.

Stagefright&Panic would like to make a special note of gratitude to the above mentioned organizations and individuals for their magnificent support of English theatre.

The Compleat Wrks of Wllm Shkspr goes on the boards at the Lionel Wendt from January 3-6, 2003.


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