Real-life drama
from Delon
By
Marisa de Silva
Talented young playwright cum actor/director Delon Weerasinghe
is back with his original play, Thicker than Blood. First staged
last year, Colombo audiences were taken into the world of a crippled,
young soldier, frustrated by the reality of being homebound and
having to face pressure from his politician uncle, to enter a new
world.
Set to go on
the boards of the Lionel Wendt Theatre on March 28, 29 and 30, this
is a production that focuses mainly on the acting and the plot rather
than on special effects and additional frills.
The second
Sri Lankan since Ruwanthie de Chickera (in 1996) to attend the Royal
Court Residency for International Playwrights (2001), Delon's experience
of working with award winning, international directors and playwrights
has helped him develop and grow in his capacity as both a director
and playwright.
Delon was subsequently
commissioned to write a play for an International Human Rights Festival,
making him the first South Asian to be commissioned by the famous
London theatre.
Delon has just
completed his second commissioned project with the Royal Court and
the BBC World Service radio titled Webs We Weave. A collaborative
writing venture with 10 young writers from around the globe, the
play titled We are Water, will be broadcast on BBC World Service
later this month.
Thicker than
Blood was produced in India for Stagerite, a festival of new writing
in English with an Indian cast directed by V. Balakrishnan, a graduate
of India's prestigious National School of Drama. The festival took
place at the J. N. Tata Auditorium in Bangalore last October.
So what's the
Colombo production like? "Thicker than Blood will be a direct
face-to-face confrontation with its audience. People can take home
with them, whatever they feel comfortable with. I don't want to
beat one specific message into their heads. My play has much to
offer, take from it what you will," says the realistic Delon.
The story in
a nutshell, revolves around a young war hero, Suresh (Delon Weerasinghe),
who gets injured in battle in the Wanni and is rescued by an old
stranger (Arun Perera), who changes his perspective on war and politics
forever. The plot thickens, when Suresh is made to deal with the
reality of being a cripple and the pressures exerted on him by his
family, who attempt to use him as a tool in their political campaign,
advocating war.
A year after
his miraculous escape, now retired from the army due to his disability,
Suresh finds it difficult adjusting to civilian life. He lives with
his brother Harsha (Mohammed Adamaly), his sister-in-law Maithrey
(Romany Parakrama) and their son Dinesh (Suranjit Tillekewardene).
He is depressed and has no clear plans for the future when he is
invited to join a nationalist political party by his uncle Kithsiri
(Shanaka Amarasinghe).
Suresh refuses
to take his brother's place as a candidate. Kithsiri Bappa tells
him that this is his destiny and that he had chosen Suresh for this
moment much earlier. What his uncle reveals next is the shocking
truth behind a lie Suresh has had to live with ever since the night
he was rescued. Shocked by this revelation, Suresh tells his uncle
that he will never agree. At the end of his patience, Kithsiri threatens
him and gives him an ultimatum, "join us or else..."
A veteran in
the theatre scene, Romany Parakrama (who plays Maithrey) says the
play is very relevant to Sri Lankan society. Her role depicts the
typical career woman, having to compromise her career to bring up
her son. However, due to the lack of communication between herself,
her husband (Harsha) and her son (Dinesh), her whole world seems
to be collapsing before her eyes. Her desperate attempt to hold
everything together is to no avail and she is powerless to change
anything in her life.
"The relationship
between Maithrey and her brother-in-law (Suresh) is left open to
interpretation. I'm lonely and have nobody to turn to. Suresh is
always at home and fills the void of not having Harsha around, so
having some sort of special relationship with him, is nearly inevitable,"
she says. "This kind of circumstance is quite common in today's
context and can be easily related to by society, as it's very Colombo-based,"
says Romany.
Although this
play has been hyped as a war play, portraying its atrocities and
after effects, labelling it thus would be unfair," says Shanaka
Amarasinghe. "The play deals with many average people's emotions
and lifestyles, therefore, it does not essentially focus only on
the war and its repercussions," he adds.
"Take
for instance, my character (Kithsiri) in the play. He's the most
evil, omnipotent figure in the drama. His manipulation skills and
influence on all the members of his family is great. However, he
has much credibility attached to his name, as he knows exactly what
he wants and will do whatever it takes to get it. Therefore, he
is in a way, a man with a mission who will go to any lengths to
achieve it," says Shanaka.
"During
our last run, when people laughed at things I said, ironically,
they were actually laughing at themselves 'cos, I said things that
would make people uncomfortable as they can identify with certain
outlooks of mine," he says with a laugh.
"The most
challenging part of my role was to stir up empathy within the hearts
and minds of the audience. If I wasn't successful in fulfilling
this role in the play, then all my efforts would have been fruitless,"
says Arun Perera. Playing the old Tamil man, who saves the life
of a Sinhala soldier, was quite a task. "Changing Suresh's
jaded mindset and making him rethink his entire outlook on life
is my main achievement in the play," he adds.
Meanwhile,
young Dinesh tries to enlist his uncle's help in order to join the
Army. Suresh tries to dissuade him but his nephew is determined.
He tells Suresh that he will ask his uncle for help. Faced with
the prospect of seeing his nephew being manipulated in the same
way he was, Suresh has to make a tough choice, sacrifice his life
or his soul.
A play that'll
leave your mind in turmoil and will trigger your conscience into
wondering what life really is all about, Thicker than Blood is a
combination of the hard work of a young playwright, brought to life
by both veteran and youthful actors, with a theme that is both powerful
and relevant, to the present day. All theatre lovers, come prepared
for an evening full of real life drama.
Tickets for
the play are available at the Lionel Wendt.
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