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A dramatic twist
Thiruni Kelegama checks out the drama scene in Kandy
Maybe I was asking for way too much, but as I entered the EOE Theatre of the Faculty of Engineering at the University of Peradeniya, I certainly was hoping that at least this year the Kandy Dram Soc competitions would take a drastic turn.

By 'drastic turn', I meant that I was hoping for a change in the winners. Somehow it was not altogether too healthy to see the same cast winning three years in a row, and if they did it again, it would mean that they had done it again for the fourth year running.

Seeing the first play, my spirits were lifted. It was good. 'The Island' by Athol Fugard revolves around two characters, John and Winston, who are in prison. John is serving a 10-year sentence, Winston is serving life. Unexpectedly, John's sentence is reduced to three years. This news drives Winston out of his mind, as he will be in for life.

Winston captures the love/hate relationship between the two, as he actually starts to hate John, because he 'stinks of freedom' and then realizes how much he would miss him. The acting was good. Especially Ranga Herath's who played Winston.

The next play was refreshing. The script was excellent, full of humour and sarcasm. It was "When Shakespeare's ladies meet" by C. George. It was thoroughly enjoyed by everyone when they were not kept in the dark. This is not metaphorically speaking - we were in the dark most of the time, as the lighting was a disaster.

The Ladies meeting in Verona at Juliet's garden was everything but the embodiment of sugar and spice. Katherine, the Shrew was there teamed up with the lady who had to leave in a little while to attend to 'this pound of flesh business'. Enter Desde-mona. "Oh Juliet, wherefore art thou?" seemed to be her lines in this play strangely enough. Bitterly caught up in the struggle over the handkerchief between her Moor and the jealous Iago, she sought counsel over the bitter mess that had ensued.

Ophelia played by Chandima Arambepola gave one of the best performances of the night. Ophelia's sweet nature was captured brilliantly and her craziness was portrayed even better.

Juliet was portrayed as a catty and somewhat bitchy lady who gloated over the others that she was the only one who had managed to really get herself a man. And Cleopatra. Played by Nishanie Jayamaha, she was excellently portrayed as the man-eater with a somewhat insatiable sex appetite. Brilliant!

However, the best part of this play was when suddenly the already dim lights were dimmed even further, with the six women donning black cloaks, and howling "When shall we SIX meet again? In thunder, lightning or in rain?"

At the end of the play, one did get the feeling that these six justified Shakespeare's heroines. Excellent acting, brilliant costumes, all ruined by awful lighting.

The Bear by Chekhov is supposed to be hilarious. However, this performance left much to be desired.

And now to the last play. No plot whatsoever. No theme, no hidden message, absolutely nothing. But they were exceptional. Performed by the winning cast of last year, the year before, and the year before, "The Watched Pot" by Saki made no sense at all.

The whole play was built around the party held at Bramli Hall, which is Rahul's stately residence. His tyrant of a mother having to attend some function, the house is seized by a bunch of British Indians, to hold a party!!! The point of the party, however is to get Rahul, married. All the women want to marry him.

It was indeed funny to see him chased by so many women; especially as he was not the stunning, god's-gift-to-women type. Quite the contrary actually. Played by Kesara Ratnatunga, he was a big couch potato. A lazy bum at that too, who seemed to prefer the married Mrs. Patel, played by Champa Ratnatunga whose husband was 'half way between Hyderabad and heaven.'

The actors and the actresses stole the show. Monika played by Michelle Goonesekara, who looked positively evil in red, was amazing. Mrs. Patel, who was supposed to look 'awful' with her 'awful' hair according to the other women but looked really good, was even better. (In the end she even carried off the Best Actress Award!)

And Kris. The typical English bloke who one immediately assumes is British, until Gopal walks in and absentmindedly refers to him as 'Krishnamoorthy'. Played by Sameera Attapattu, Kris was the judges' choice for Best Actor. Another good decision. Finally enter the mother... Mrs. Malhotra. Played by Heshani Samarasinghe, who did her part to perfection, with the added advantage of an awfully atrocious Indian accent. She crashes into the party at the last moment, and demands to know what is going on. All plans are foiled. It is finally revealed that Rahul is married- to Kavitha. All hell breaks loose with Mrs. Malhotra having always hated Kavitha's aunt, who had tried to pass off a vinegar paste for her famous mango chutney recipe.

But then, where would such a play be if everything did not work out for the best in the end. It does. So to celebrate, they all dance.

That did it. They won. Again.

They had it all. Excellent acting, glittery costumes, brilliant directing, and lots and lots of light.

As for me, I head home. Yes, I think I had been hoping for too much.


How to save your hide
By Leyla Swan
If you've ever wondered how to fend off a shark or wrestle free from an alligator, we have the Web site for you.

No matter how bad a day you're having, console yourself with the thought that it could always get worse. That's the premise of Worst Case Scenarios Online (www.worstcasescenarios.

com), a Web site designed to prepare you for those unexpected disasters and personal cataclysms lurking just around the corner.

Whether your particular calamity is trivial or deadly serious, this site has gleaned expert advice from FBI agents, survival instructors, stuntmen, professional chefs, emergency medical technicians, security consultants, dermatologists, fashion experts, bail bondsmen, and many others.

For instance, there are step-by-step tips (complete with diagrams) on how to survive if your parachute fails, how to make fire without matches, land a plane, use a defibrillator to restore a heartbeat, wrestle free from an alligator, and that perennial favourite, how to fend off a shark.

As far as the latter is concerned, apparently you should definitely fight back. "If a shark is coming toward you or attacks you, use anything you have in your possession - a camera, probe, harpoon gun, your fist - to hit the shark's eyes or gills, which are the areas most sensitive to pain." Then you should make quick, sharp and repeated jabs to these areas.

"Since sharks are predators and will usually only follow through on an attack if they have the advantage, making the shark unsure of its advantage in any way possible will increase your chances of survival. Contrary to popular opinion, the shark's nose is not the area to attack, unless you cannot reach the eyes or gills. Hitting the shark simply tells it that you are not defenceless."

Better still, the site provides sensible advice on how to avoid an unwanted encounter with a shark in the first place. Apparently, swimmers should always stay in groups, as sharks are more likely to pick off a solitary individual. Do not drift too far from shore. This isolates you and creates the additional danger of being too far from assistance. Avoid being in the water during darkness or twilight hours, when sharks are most active and have a competitive sensory advantage. Try not to wear shiny jewellery because the reflected light resembles the sheen of fish scales. Scuba divers in particular should avoid lying on the water surface, where they may look like a piece of prey to a shark, and from where they cannot see a shark approaching.

If all that is not reassuring enough, the site's authors sensibly remind frightened visitors that shark attacks are extremely rare. Indeed, bees, wasps, and snakes are responsible for far more fatalities each year, and in the United States you are 30 times more likely to die from a lightning strike as a shark attack.

Essentially a promotional site for the books and TV series of the same name, the Worst Case Scenarios site also features a handy "tip of the week". I particularly liked the useful pointer for anyone considering a rooftop-to-rooftop leap - a burglar or police officer in pursuit, for instance.

"Jump with your arms outstretched, ready to grab the ledge if you undershoot your mark. Try to land on your feet, then immediately tuck your head and tumble sideways on to your shoulders."

Sadly, it does not explain what to do should you actually "undershoot your mark".
- Asia Features


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