Middle
Eastern memories
By Aditha Dissanayake
Alhamadullilah!
Alhamadullilah!
I never get to learn how to pronounce it in one go. I never get
to know the exact meaning of the word either, except that those
who live in the land of golden sands, date trees, camels and oil
rigs say so when they feel mighty good about something. So, Almala,
Alhamaludi... no, Alhamadullilah! after my seven days in Dubai,
Sharjah and Ajman.
Nirosh, my
friend my idol - she is living most of my daydreams - picks me up
at the Dubai airport. Slim and smart, with a stylish hair-cut, wearing
tight-fitting pants and a T-shirt, she looks at my faded cotton
shirt, denim pants and massive cloth hold-all (which has everything
in it from sheets of paper and pens, to Rushdie’s Midnight’s
Children, several diaries, a bottle of water and even an umbrella)
with eyes which show anything but approval. I know instinctively
that during my stay here Nirosh will try to persuade me to go to
the hairdresser and the manicurist to none-of which I will consent.
She never seems
to realise that I am absolutely happy the way I look. She dangles
the key of her BMW and begins to walk towards the car park. I stumble
behind her, dragging my bag and feeling like a descendant of Enid
Blyton’s Mr. Muddle. Nirosh and I are so different. Perhaps
this is why we get on well together.
Swoosh! The
moment we enter the main road, I clench my hands and try not to
grab the dashboard. I have never seen cars move so fast, all on
the wrong side of the road in all my life. Date trees, round-abouts
covered in different colours of petunias, men almost always dressed
in long white garb reaching their ankles, women always covered from
head to foot in black walking on the pavements, whiz past me as
if someone has pressed a fast-forward button.
Within half
an hour, we are in Ajman. Nirosh deposits me in her two roomed apartment
and returns to work. Today is “meeting day” and so,
she will be coming back at about eleven in the night. I’m
left to my own devices. I open the rice-cooker to find it filled
with fried rice. A note tagged on the door of the fridge says there
are several curries inside. By the time the clock chimes eight,
I’m in bed with a well stuffed stomach, fast asleep and not
snoring, I hope.
Nirosh works
as the Recreation’s Manager in a hotel in Sharjah. At 27,
she is probably the youngest around. My days with her are spent
in maximum idleness. When Nirosh is at work, I stay inside the apartment,
watching videos with Sir Tobias and Lady Catherine, her two cats.
Nirosh forbids
me to walk the streets of Ajman on my own. I submit to her command
meekly, because on my first day here, I discover that crossing the
road is suicidal. I had kept looking the wrong way and crossed to
the other side thinking all was clear and nearly got run over. There
are other hazards too. The second day I am here when I go for a
walk on my own a man shouts at me from a security hut.
I had done nothing
wrong - simply walked past a huge house, once stopping to marvel
at its magnificence. When I tell Nirosh about the incident, she
says I was lucky the man had not shot me. “Shot me? “For
doing what?” For lingering in front of the house. It belongs
to the ruler of Ajman - the Sheik. I resolve never to gaze at houses,
magnificent or not, ever again while I am here.
Wednesday afternoon
is safari time. Nirosh takes me on a package tour to the desert.
Our driver cum guide takes the huge Land-cruiser jeep over sand
dunes at 140 miles an hour. Sometimes the angle of a dune is almost
90 degrees. I keep saying “shaa”, “shaa”
till the driver looks at me in the rear-mirror winks, and begins
to say “shaa”, “shaa” too.
The desert sand
is red. I step on it and exclaim, “This is like being inside
a huge bowl of pol-sambol”. “Pol-sambol?” Nirosh
frowns and asks, “Why do you always use food as metaphors?”.
I protest. “This is the first time I had thought of food.
Besides, I had used pol-sambol not as a metaphor but as a simile.”
Nirosh waves me off with her hand and goes to master the arts of
sand skiing. We spend the night in a Bedouin camp where I get my
arms tattooed (But to my dismay, the paint peels off before I could
horrify my mother with the two black scorpions on my arms) and learn
to belly-dance.
This is the
first of my two great Arabian nights. The second is sadder, though
just as beautiful. On Saturday night, five hours before I catch
my plane home, Nirosh’s staff arranges a farewell party for
me on the beach. We light a bonfire with driftwood, barbecue marshmallows,
tune the guitar and sing popular Sinhala songs.
At 12 midnight,
everyone gathers round the fire and sings the last song - something
for me, because I will be leaving for home soon. “Me punchi
lowe, Kawada ho... (we’ll meet someday somewhere again...).
The tears in my eyes are due to the smoke from the now smouldering
fire, I tell them as I wave good bye. And, “Alhamadullilah!”after
my seven days with Nirosh. Next time I roam the Middle East, I intend
to get the word right. |