Faro
fellow
Based
in Germany but having something of an international flavour, Faro
is an exciting new melodic rock project fronted by Sri Lankan born
vocalist Chitral ‘Chitty’ Somapala. Somapala, as everyone
remembers, was a member of ‘Friends’, who are based
in Germany too.
He
after leaving Friends used to front progressive metal worriors’
‘Avolaon’, one of the most exciting and innovative bands
on that particular scene in Germany. Indeed, if you’re a fan
of classy melodic progressive metal, their last two albums - 98’s
‘Vision Eden’, and 2000’s ‘Eurasia’
- are absolutely essential.
But back to the job in hand, Avalon are on semi-permanent hold,
and with Faro, Somapala has moved into an altogether more traditional
hard rock vein, albeit hard rock with a stimulating twist. Produced
by Markus Teske (Vanden Plas, Consortium Project) and their debut
album ‘Dawn of Forever’ highlights a diverse and wide
ranging set of influences from right across the hard rock spectrum.
“That’s before we even get to the subtle little nuances
imported from other forms of music! And whilst in many cases such
a bold approach can work against a new band, in the case of Faro,
everything fits together beautifully to create a refreshingly different,
yet agreeably familiar, take on the classic melodic rock theme,’’
Chitty said.
Long-standing fans of Avalon already know Somapala’s credentials
as a vocalist are first rate, and with ‘Dawn of Forever’
he makes the transition from progressive metal to melodic rock with
consummate ease - his passionate, soul drenched voice a real highlight
from beginning to end. Whether it’s the crunching rifts of
‘Living In Extremes’ or ‘You’re On The Run’,
or the heartfelt emotion of ‘Coast To Coast’, ‘Dawn
Of Forever’ delivers every time.
The
playing is spot on, the hooks come thick and fast, and the songs
have a timeless quality which never seems to date. With much of
the current crop melodic rock bands sticking to the same tried and
tested formula, Faro offers a remarkably vibrant and invigorating
alternative. |