Film
Festival of French Speaking Countries
By Susitha R. Fernando
A
six French films from French speaking countries, namely France,
Belgium, Switzerland and Canada, together with four Sinhala films
from Sri Lankan film directors, who are connected to France through
their films will be screened at the Lionel Wendt Theatre from March
17 to 21.
This
is the very first time that a festival of this nature being organised
in Sri Lanka and it has named ‘Film Festival of French Speaking
Countries’ The film festival consist of three films from France
and one each from the rest of the French Speaking countries. These
countries have joined the festival encouraged by the enthusiastic
Sri Lankan audience’s response to annual French-Sri Lankan
Film Festivals in 2002 and 2003 organised by French Embassy with
National Film Corporation.
All
the films presented relate to human relationships; youth unrest
and to the futility of war. The film ‘Sachs’ disease’
(La maladie de Sachs) of France-1999) is directed by Michel Deville
recounts the daily life of a country doctor confronted with the
suffering, anxiety and violence of human relationships and with
everything that makes people ill. ‘Tanguy’ France (2001)
directed by Etienne Chatiliez revolves around a parent-children
relationship- this tells of a couple who feared that their child
may leave them and how they can’t wait to get rid of him.
‘The Room of the officers’ (La chamber des officers)
(2002) directed by Francaois Dupeyron portrays First World War,
a young lieutenant, Adrian who is badly injured in a shell explosion
causing a facial disfiguration who later finds life bearable. The
film ‘Hop’ is Belgium movie (2002) directed by Dominique
Standaert represents a relationship between father and a child and
‘Burning in the wind’ (La brulure du vent) (2002) -
Switzerland directed Silvio Soldini relates complex life story of
Tobias Horvath who spent his childhood in misery. ‘Ice cream,
chocolate and other Consolations’ (Crème glacee, chocolat
at autres consolations) (Canada)-2001 directed by Julie Hivon represents
the life’s changes from simple to complication in four characters
Samuel who was sleeping with Ambre and Suzie who has a cat and Judith
who was shopping around for a new religion.
Sri
Lankan Films
There is special feature at this year’s festival jointly organised
by the foreign diplomatic missions with NFC. This festival brings
together three Sri Lankan filmmakers of three generations. Veteran
film maker Dr. Lester James Peries’ (‘Wekande Walawwa’-
Mansion By the Lake), controversial filmmaker Asoka Handagama (‘Me
Mage Sandai’(This is My Moon) and young and upcoming Vimukthi
Jayasundara ‘Land of Silence’ and ‘Empty for love’
(Vide Pour L’amour). The three directors are related to France
in receiving official recognition and awards for their creations.
‘Wekande
Walawwa’ based on Anton Chekov’s ‘Cherry Orchard’,
set in Sri Lanka in the late 1980’s revolves around a traditional
upper class family in which three women desperately holding onto
a past against the changes of time was selected for a special screening
at the prestigious Cannes Film Festival 2003, where the director
became one of the two recipients of the first UNESCO sponsored ‘Frederico
Fellini Memorial Medal’ Award.
‘Me
Mage Sandai’ was the official selection for the Festival des
Trois Continents-Nantes, France-2001 and Festival d’ Automne-
Paris-2001. It narrates the tale of a soldier who is a army deserter
and of a young Tamil girl who once fell into his bunker. The film
discusses poignant and touching uncertainty, absurdity brought about
by the war and its unrelenting demands on the country’s poorest
people existing in a boarder village.
The
two short films by Vimukthi Jayasundara, a young Sri Lankan film
director- ‘The Land of Silence’(Vide Pour L’amour)
- a 30 minutes documentary in black and white and Empty for Love,
a 28 minutes colour narrative film relates the consequences of war
on mankind. ‘The Land of Silence’ describes the victims
of the ethnic war in Sri Lanka. This gives an emotional insight
into the wounds received by man due to civil war.
Made
with the cinematographic equipment from the sixties and interspersed
with occasional dialogues relayed by a background commentary, it
refuses to intensify horror by making it appear close at hand and
denounces the alliance between technological virtuosity and fascination
with war. The film became the official selection for the 13th documentary
Film Festival of Marseille.
‘Empty
for love’ unravels the result of a ceasefire agreement reached
between the LTTE and the government. In a situation of no-war-no-peace
quagmire, public life is aimlessly dragged on in a long insecure
presence. Throughout the film, a certain rhythm is developed to
create a relationship and a conflict among these people living without
a purpose.
On
the other hand, the curiosity generated from this is transformed
into a fiction, while all of them are looking forward to a change
in their lives in breaking the monotony. Vimukthi has received the
“Silver Scales: award for the best director at the Novo mesto
International short Film festival Slovenia 2003 and selected for
the Cine’fondation competition of Cannes Film Festival 2003
for his direction. |