An
insider's story - brilliantly constructed
Rendering Unto Caesar by Bradman
Weerakoon - New Dawn Press, India, 2004 Reviewed by Carl Muller
Born under the sign of Libra (like me), Bradman Weerakoon is an
old Kingswoodian, then a product of Holy Cross College, Kalutara
and S. Thomas', Mt. Lavinia. He was named after Donald Bradman,
and did become a fiery batsman himself. In one Royal-Thomian big
match, he chased a target of 116 in 65 minutes, receiving a standing
ovation when he returned to the pavilion.
Today,
this quintessential civil servant gives us another half-century
of totally different strokes -- a unique first-person account of
fifty years of public service as a senior advisor to nine of Sri
Lanka's Prime Ministers and Presidents; nine of our most historic
figures. The narrative is intimate, penetrating and of anecdotal
richness. The time span: April 1, 1954 to April 2, 2004.
Neat
figures indeed, and yet, as he says in his epilogue: "…
when the dust of the (2004) elections settled, I see an instability
that disturbs… the present composition of parliament carries
its own pyrotechnic quality -- a formidable JVP, a strengthened
Tamil Alliance, the ITAK; and the unexpected (and somewhat disconcerting
to some) entry into active political life of nine monks of the Jatika
Hela Urumaya. These parliamentary 'body parts' have introduced elements
of 'fundamentalism' that create a new and rather uneven pitch to
bat on."
What
delights the reader - so immersed in politics today - is the author's
record feat of working and dealing with such a multitude of personalities.
"Rendering Unto Caesar" tells of the distinctive mark,
often memorable, made by the nine leaders he personally served.
And, as he says: "Life at the top in Sri Lanka has generally
been perilous, not only politically, but in a physical sense as
well."
To
meet with Bradman is to consider a mild-mannered, wry-humoured,
gentle man who immediately shows interest in you. Within a few moments
of conversation, you begin to feel that he lives for you and your
interests, forging bonds of sympathy and empathy. His eyes are full
of sincerity and friendly understanding. This is a man who believes
that no one is inherently bad. "There is an essential quality
of good in all people which - if correctly motivated - can be used
for the good of all." It is this that makes him an affectionate
friend, an inspiring motivator, a true man for all seasons.
Yet,
the steel is unmalleable inside him. There is iron beneath the velvet
and it could be seen as will, courage, immense faith in his beliefs,
heroism even, for he had functioned in the best and worst of worlds
with forthrightness and fearlessness.
Bradman
took the 'time-honoured route' in the Civil Service: to Anuradhapura
and Jaffna, then to the Badulla Kachcheri as AGA - a transfer that
was abruptly changed, thrusting him into the PM's office. It was
the beginning of a saga. First, it was Sir John Kotelawala, our
'Bandung Booruwa' who upset China's Chou En-lai so much that it
called for the mollifying efforts of Jawaharlal Nehru. I will not
regale readers with all Bradman has to say about each of the leaders
he worked for. That would be unfair. After all, it is all in the
book that simply begs to be read. However, to whet appetites, some
nuggets should do.
Sir
John Kotelawala - his coterie of pretty women were the 'purple brigade'
as the press dubbed it. He was part of the 'dynastic democracy'
disparagingly referred to as the 'Uncle-Nephew Party'. When he was
shelved by a majority of the parliamentary group who made Dudley
Senanayake the PM, he sulked and denounced all the 'plotters'. Even
SWRD, watching from the wings, said it was "the culmination
of a long, shabby and discreditable intrigue." His publication,
"The Premier Stakes" made Dudley see red.
He
demanded Sir John's resignation and Sir John suggested that Dudley
thrust his demand in a rather unseemly place. It took a lot of patching
up to get the two together again. Succeeding Dudley, Sir John worked
like a beaver for the Queen's visit. When a playful breeze lifted
the Queen's skirt at Sigiriya, Sir John yelled to the official photographer,
Rienzie Wijeratne, "Ganing, yako, ganing!" He also threatened
to tar-brush the monks who took part in politics.
The
Bandaranaike family - Bradman makes some homely observations: "Chandrika,
coming home after her ballet lessons, and the father introducing
her to some visitors with the words: 'and here comes my Pavlova'.
The girls, Sunethra and Chandrika went to St. Bridget's and the
morning departure always seemed very rushed. Chandrika was usually
the late one."
SWRD
Bandaranaike - "The era of the brown sahib… was coming
to an end." At the opening of parliament, "the people...
invaded the sanctum - the floor of the House itself- and some of
them disported themselves in the Speaker's chair." Bradman
also says that "the death of my father… built a special
bond of appreciation and obligation to the Bandaranaike family….
The Prime Minister, who had been out of Colombo at a swearing-in
parade at Diyatalawa… cut short his weekend stay in the hills…
took an overnight train to be in Colombo on time. I have never forgotten
this extreme act of caring… and the personal inconvenience
he must have accepted to be on time at the funeral."
Other
remarks come fast and furious: (SWRD Bandaranaike) "was kept
at home in the country estate at Horagolla and tutored by English
teachers until he was 15. The private tuition was not a success
as Henry Young, the first master, had a fondness for the bottle
and was soon got rid of." As PM, "Mr. Bandaranaike's public
speeches were pure gems, with sonorous cadences studded with classical
allusions."
Bradman
also tells of the doing and undoing of the B-C pact, the 1958 violence,
labour unrest and cabinet crises and finally, the assassination.
He has to also refer to the then Gampaha MP, S.D. Bandaranayake
who was referred to as the "unguided missile."
W.
Dahanayake - The PM who believed that walking barefoot in the lawns
of Temple Trees at dawn helped "clear his brain", and
who kept his weight down with a diet of raw vatakolu, rice bran
and aggala spiced with pol kudu. We have details of his defeat,
departure by Humber Hawk to Galle, the regaining of the Galle seat,
his political somersaults, his death at 95.
Dudley
Senanayake - the short parliament - "A sticky wicket I have
to bat on," he said. Defeated at the Throne Speech. Sirimavo
Bandaranaike - "Once reported to have said she 'would not have
the Prime Ministership even if it were handed… on a platter'
but her fighting qualities took over…. She was formidable
enough - personal magnetism to draw the masses." Bradman details
the state take-over of assisted schools; arrest of FP members; the
abortive coup; the appointment of William Gopallawa as Governor-General.
Bradman himself took the letter from Mrs. B to London in this regard.
Also the visit of the West Indies cricket team to Temple Trees:
"Walcott, Weekes and Worrell were distinctly uncomfortable
in the Prime Minister's presence." We have the state visit
to China: equipped with heavy fur overcoats and headgear, so that
we all looked, as Felix remarked, 'like cuddlesome teddy bears'
and how Sirimavo was rendered speechless by the cold.
Then
the 1965 elections and Sirimavo's delay in resigning. "I was
being given a difficult time by the Left members. They resented
my advice to Sirimavo that she resign… That night… my
car was stoned…" Then the return to power in 1970, her
ouster in 1977, the Weeraratne Commission and the deprivation of
her civic rights; her return to parliament as Leader of the Opposition
in 1988; then Prime Minister under her daughter's Presidentship
and her death on October 10, 2000.
Dudley
Senanayake - back in the saddle with his 'hath havula'. "I
found him pugnacious and more confident," and Wimala Kannangara's
remark to Bradman: "What are you doing here? Aren't you Mrs
B's blue-eyed boy?" He records the food/rice production drive,
Dudley's New Year greeting card with a cartoon of himself wearing
a paddy farmer's amude and shouldering a mammoty.
"I
do not think any other leader in the world would have wanted to
show himself publicly in this manner." We have the Kachchativu
debate and the Mackie Ratwatte case that caused a souring of relationships
between Bradman and Sirimavo. Then to negotiations abroad: "…
the Ceylon delegation was pontificating at the World Bank in Washington
on the serious state of malnutrition in the country and in Asia
generally. The delegation comprised Raju Coomaraswamy, 6'4"
in height and weighing 210 lbs; Gamini Corea, 6'1" and 190
lbs; and Dudley himself who was no chicken at 5'10" and close
to 200 lbs at the time. After the impassioned presentation, the
three of them just managed to squeeze into a lift on the way down.
A World Bank staffer… pushed against the back of the lift
[muttered softly to himself], 'Asia's starving millions my foot!'
"
The
1970 elections. UNP defeated. Dudley drives up to the porch of Temple
Trees, grinned broadly and said, 'hell of a thing, no?' and rushed
up the stairs, shouting out… 'I must empty my bladder.' He
then signed the resignation letter. "When the umpire rules
you out, you walk."
This
is but a small sampling of what this delightful and yet serious
book is all about. I am tempted to go on and on, but space forbids
it. You will get a wonderfully sincere picture of the author's tenure
under JR, Premadasa, D. B. Wijetunga and Ranil. When in 2004 Ranil
stepped down, he says: "I decided it was time to make my final
bow."
Brilliantly
constructed, holding back little, studded with anecdotes and an
unsparing approach to detail, this book will be eagerly read by
everybody in high places and low, by the man in the street, by every
community, and I hope it will bring true realization to many. So
much popular thought has been spawned by political rhetoric and
even slanted reportage. Bradman writes as an insider and as a man
who has observed, assessed, yet never been moved to condemn. As
he may well say, "There can be no life without mistakes."
He still seeks and finds the good in every man.
Remarkably,
too, he has taken a carriage-load of memories and put them down
with a facility that is truly remarkable. I can well imagine a conversation
in the street, in a drawing room, even in a canteen:
"What do you know about Dudley?"
"Read Bradman."
"What about Dahanayake"
"Read Bradman."
"Then Ranil?"
"Read Bradman."
"Hell, is that all you have to say?"
"Yes. Read Bradman. If you don't you'll know nothing."
Temples:
A living tradition in our spiritual soil
June 17, 2004 marked Yogendra Duraiswamy's fifth death anniversary
and the Hindu Women's Society commemorated the event by launching
the book, ''The Creative Touches of the Chisel", written by
Sivanandini Duraiswamy and dedicated to his memory.
The
chief guest, Indian High Commissioner Nirupam Sen said the book
showed the extraordinary scholarship of the author. "Beginning
with the words of Shelley, the author aptly speaks of life that
stains the radiance of eternity and thereby gives eternity a local
habitation and a name. And one of the ways this is done is through
art and architecture, especially temple architecture -- the main
theme of the book. It is not a mere analysis of styles, sculptures
and temples but she brings to bear a personal touch on her writing
-- she looks at these as a person who touched them and who saw them
in different places. She was able to do so because as the wife of
a diplomat she had the opportunity to travel widely and to compare,
reflect and think. She has done this beautifully.
The
second great value of the book is the comparative vision she introduces
in her writing. Through her writing, she tells us that temples are
a living tradition arising from the spiritual soil of our civilisation
and of our land for the people who worship a living god. She brings
out these and more salient features with great clarity through her
style of writing.
Addressing
the ceremony, Dr. Susantha Goonatilleke said: “Hers is in
the same spirit of Western explorers who came to our shores compared,
contrasted, took a large canvas and made broad generalizations.
The Westerners made the furniture of our mental world, moulded how
even now we look at ourselves. We today think second hand their
thoughts. Full of imperfections and prejudices, yet they tried to
make sense from their perspective of what they saw. They also reminded
us especially us in Sri Lanka and South India about the global cultural
traffic we had engaged in as we spread Indic culture across Asia
especially to South East Asia. This imprint one sees in the many
cultures of South East Asia influenced by Hindu and Buddhist culture.
From Pagan to Sukhothai to Angkor Wat to Borobudur, our common imprint
is seen. Emboldened by our past, we sought new avenues.
"Sivanandini
brings the Indic traditions of South East Asia with a personal touch.
As a wife of a diplomat she has wandered the world. She paused and
thought. To wonder, think afresh and make new patterns; that is
what she has attempted. In such journeys, there are no finalities,
no perfect solutions. It is the adventure that thrills.
Publisher
Vijitha Yapa quoted two passages from the Prologue of the book -
"Questions arose in our minds whether the pyramids with hollowed
vaults and the ziggurats evolved into the later Stupas with chambered
sanctums of the Buddhist era and whether the columns of Egypt passed
through Babylon, Assyria and Persipolis to finally create the Asokan
Pillars." As she wandered through these ancient sites, she
made these comparisons for us.
"While
walking through the various temple complexes in India, Yogendra
and I would frequently stop to adoringly touch the crumbling facades
of ancient pillars, sculptures… these were to us, a testimony
to classical art -- an adventure into the memorial loveliness of
ages past. Time invariably seemed to rest for an indefinable moment
and the atmosphere of the past drew nearer on silent feet bringing
unknown lives of countless generations, for worship through shadowy
corridors and halls! Often I would almost hear the nadaswaram and
thavil - the pipe and drums, a distant echo through a thousand years.
The
whole temple with its entire sculptural work would come alive giving
me a glimpse into the mystique of the panoramic past. I used to
feel sometimes that the chisel of the artist must have glided along,
chiseling with care and devotion the details, "halting to record
the infinitestimal form of some subtle nuance", as Zimmer would
have it. These are the moments that I hope to recapture in this
monograph." This style of writing brings the reader close to
the temples and sculptures she is portraying. |