Sci-Fi
monsters battle for supremacy
By Harinda Vidanage
One of the most anticipated movies of the year which features two
characters which sci-fi and demon fans love to watch, come together
in one final face off in a great sci fi epic released recently.
The movie maintains the iconic title Alien Vs Predator. Bringing
this movie to screen has been an almost decade long journey. Twentieth
Century Fox considered various storylines until writer, director
Paul W.S. Anderson came to the studio with the idea of setting the
story on Earth, in contemporary times. The story would take place
between the events of “Predator” and “Alien.”
The
story line features an incredible and horrific adventure begins
when billionaire industrialist Charles Bishop Weyland gathers an
international team of archaeologists, scientists and security experts,
led by environmentalist and adventurer Alexa “Lex” Woods
(SANAA LATHAN ), to investigate a mysterious “heat bloom”
emanating from deep under Antarctica. “Alien” film fans
will recognize the character’s middle and last names: “Weyland”
derives from the Weyland-Yutani Corporation, the multi-national
conglomerate that sent the Nostromo on its ill-fated voyage to retrieve
the Alien in the first film; and “Bishop” is the name
of the android played by Henriksen in the second and third Alien
installments.
What
this team witness 2000 feet below the frozen surface at first excites,
and then terrifies them. They discover a pyramid bearing a mixture
of Aztec, Egyptian and Cambodian cultures. Inside the pyramid they
find a matrix of chambers so technologically advanced that it becomes
obvious that an extraterrestrial influence has been at work there
for thousands of years. The chamber walls reconfigure unexpectedly,
trapping members of the team and cutting them off from their colleagues.
Moving from chamber to chamber, the horrific truth finally reveals
itself: Predators have been keeping alive a captive Alien Queen
who lays eggs at 100 year intervals. Young Predators warriors are
tested by fighting the Alien offspring.
The
team stumbles into the middle of an incredible rite of passage and
a war between Aliens and Predators. The movie also British actor
Ewen Bremner as Graeme Miller, a chemical engineer who is brought
onto the team to calculate the age of the ancient structures. Previously,
Bremner played a wayward pilot in “The Rundown,” and
co-starred in “Black Hawk Down” and “Trainspotting.”
The supporting cast includes Colin Salmon, who appeared in “Resident
Evil” and the James Bond film “Die Another Day,”
Carsten Norgaard, Joseph Rye, Agathe de la Boulaye, Tommy Flanagan
and Sam Troughton.
Putting
humans in the middle of the maelstrom really ups the stakes in an
Alien/Predator battle,” says AVP producer John Davis. “Over
the years, I had heard story pitches from over 40 writers, until
Paul approached us with his take. His story really drew us in.”
According to Davis, it was essential to have a director who was
plugged into the worlds of both the Aliens and Predators, and no
one knew the films better than Anderson. Davis also produced the
recent films “I, Robot,” starring Will Smith, for Fox;
“Garfield” for Fox, based on the beloved comic strip
character, in a live-action/CGI adventure starring Breckin Meyer
and Jennifer Love Hewitt; and the John Woo action film “Paycheck”
starring Ben Affleck and Uma Thurman; “First Daughter”
starring Katie Holmes for Regency/Fox. “In addition to being
a talented filmmaker, Paul is the ultimate Alien and Predator fan,”
says the producer. “He’s seen the original ‘Alien’
and ‘Predator’ hundreds of times, and he can recite
virtually every scene by memory. The way to make an exciting movie
is to begin with a director who’s passionate about the material
and has to do it. Paul had to make ALIEN VS. PREDATOR.”
Academy
Award-winning Special Effects Artists Alec Gillis and Tom Woodruff,
JR. have created some of the most memorable effects ever seen on
the big screen. They are responsible for making Meryl Streep’s
head turn backwards in “Death Becomes Her,” fabricating
Tim Allen’s plump belly in “The Santa Clause,”
creating the enormous bugs in “Starship Troopers,” fashioning
John Travolta’s giant angel wings in “Michael,”
and designing and modifying the changing looks of the Alien in the
four “Alien” movies.
The
movie keeps the fans waiting like in all other Alien movies and
even in the Predator movie for the creatures to enter the scene.
This method was hugely successful in all the previous movies. Thus
with mind boggling special effects uniquely made out of models created
by the above duo with CGI only contributing to 30 percent of the
effects. Definitely a hit in this year and a must for all sci-fi
fans.
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