Chaos
and violence in the Muslim world: It's hyper Asabiyya
Islam Under Siege by Akbar S.
Ahmed. Published by Polity Press, Cambridge. Reviewed by Ameen Izzadeen
Islam
is what Islam is not - just as the United States today is not what
it should be. Yet the West tends to interpret Islam as what it is
not. Hence, Islam remains the most misinterpreted religion in the
world.
Attacking
Islam is not a new phenomenon that blasted off from the September
11 attacks on New York and Washington. Since its birth in Seventh
Century Arabia during an era which was metaphorically described
as Aiyamul Jahiliyya (days of darkness), Islam has been under attack
-- with its prophet being scoffed at and scorned as a madman and
a liar.
Notwithstanding
Islam's contribution to the progress of mankind through medicine,
mathematics, astronomy and law, such attacks continue to be directed
at this religion followed by one fourth of the world's population.
In
the wake of the 9/11 attacks, Fox News TV commentator Bill O'Reilly
equated Quran, the holy book of the Muslims, to Hitler's Mein Kampf
while Reverend Franklin Graham, who offered the invocation at President
Bush's inauguration in January 2001, publicly called the Prophet
of Islam a terrorist.
Who
is responsible for this sad state of affairs? Blaming the West,
the Jews, the Christians and everything that is not Islam or Muslim
has been the practice of the crest-fallen Muslims. It's only a few
Muslims who dare to say publicly that the searchlight should be
directed inwards.
Akbar
Ahmed, author of Islam Under Siege - Living Dangerously in Post-Honour
World, is certainly not the first to exhort a thorough search of
the Muslim soul. Before him scholars like Jamath-e-Islam founder
Moulana Abul A'la Moudoodi and philosopher-poet Muhammad Iqbal,
had urged the Muslim umma (community) to revert to the spirit of
Islam first before countering the external threat.
But
Prof. Ahmed stands out in two respects. He is perhaps the first
scholar to look at the crisis that is gripping the Islamic world
from a social scientist's perspective and then identify factors
that have laid siege to Islam. Hence, this book cannot be labelled
as a book on religion. It is in every sense a book for students
and academics of sociology, anthropology, history, political science,
international relations and, last but not least, students of comparative
religion and proponents of inter-faith dialogue.
The
author uses the anthropological tool of Ibn Khaldoun, the 14th century
anthropologist, about whom very little is mentioned in academic
curricula today. Long before Karl Marx, he had analyzed and theorized
about history's impact on society and long before Emille Durkeheim,
Malinowski and Radcliff Brown, he had studied society using scientific
methods such as data collection and participatory observation.
Professor
Ahmed, who incidentally holds the Ibn Khaldoun chair of Islamic
Studies at American University in Washington D.C., says, in language
that tries to express rather than impress, things that many would
not dare to say in this age of terrorism and fanaticism. If Osama
bin Laden reads this book, he could either reform himself or issue
a fatwa for the learned professor's head. If George Bush reads this,
he would either reshape his foreign policy and contribute in a positive
manner towards global peace or become more astute in executing his
alleged plan to dominate and control the Muslim world.
Some
critics say the professor, living in and enjoying the hospitality
of the West, is trying to be apologetic. His answer to these critics
is, 'read my book'. The book deals with many topical but controversial
issues such as terrorism, globalization, women in Islam, education
and Islam vs. West to prove the author's new concepts in sociology
and politics.
This
well-recommended book is, and will be, known for two important concepts.
The first is the concept of hyper-Asabiyya - a theory Prof. Ahmed
is credited with developing by using Ibn Khaldoun's concept of Asabiyya,
the narrow meaning of which is group loyalty but the broad interpretation
of which means peace, harmony and tolerance in society. The other
salient feature of the book is its call for a dialogue of civilizations
-an anti-thesis for Samuel Huntington's theory of the clash of civilizations.
Prof.
Ahmed, one of the best known scholars on contemporary Islam, first
explains the concept of Asabiyya in detail for the reader to understand
his theory of hyper Asabiyya, which offers a plausible explanation
as to why the Muslims and the Muslim world are in chaos and engulfed
in violence that emanates from within or is imposed on them from
outside.
The
irony of Ibn Khaldoun's Asabiyya is that although it runs counter
to the Islamic teaching of universality, it appears to glorify religious
or tribal loyalty. Yet this was the social order that prevailed
during the Khaldounian era though Prophet Muhammad had discouraged
Asabiyya in its blind, chauvinistic, racial or fanatical manifestations
and exhorted brotherhood that cuts across cultures and societies.
Asabiyya,
according to Ibn Khaldoun, set society in a cyclical motion from
social solidarity to disturbance caused by invasion of the city.
Hyper Asabiyya, according to Prof. Ahmed, is a reaction to the ending
of this cyclical motion - an end brought about by factors ranging
from colonization, independence from colonization to exposure to
sudden affluence, giving birth to a multiplicity of social ills.
The
attendant ills of social breakdown have only worsened the situation,
taking society from a world of honour to the post-honour world.
Once again, the author should be credited with coining the concept
of the 'post-honour world' and explaining its violent and disturbing
characteristics. "The equation of honour with violence is one
direct consequence of the collapse of Asabiyya," says the author,
giving many examples from the Muslim world.
The
book also probes why certain basic tenets of Islam do not manifest
in Muslim behaviour in the post-honour world. It is on this score
that Prof. Ahmed again stands out from the run-of-the mill moulavis,
for whom Islam only means the five pillars - the declaration of
faith, five daily prayers, fasting during Ramazan, Zakath or poor
tax, and Haj. These five pillars constitute just one half of Islam;
the other half, Prof. Ahmed reminds his brethren and readers, consists
of Adl (justice), Ilm (education) and Ihsan (Compassion, generosity
and righteous conduct - the type of behaviour that requires a Muslim
to repel evil with good). The author, however, has overlooked another
important factor that symbolizes Islam - Sabr (perseverance or patience),
though he deals with intolerance as a manifestation of hyper Asabiyya.
The
book also contains an answer to President Bush's question, "Why
do they hate us?" - which he posed in his first State of the
Union address after 9/11. It also answers the questions: Does Islam
subjugate women? Does Islam preach violence? Is Islam compatible
with democracy?
The
book does not, however, go into detail as regards the external factors
that lead to the violent expression of hyper-Asabiyya, especially
in places such as Palestine. The external factors - for example,
the continuing injustice the Muslim community is subjected to in
places such as Palestine (and now Iraq) -- only receive some passing
remarks to the extent they are necessary to explain the author's
theory. In fact, Prof. Ahmed himself laments the lack of scientific
study on Muslim suicide bombers.
The
book's other major contribution is the call for a dialogue of civilizations,
a call first made by Iranian President Mohammad Khatami, whose philosophy-filled
and insightful speeches and writings would make the president of
the world's only superpower seem just a kindergarten kid. Prof.
Ahmed vociferously pushes the point that Islam is not in confrontation
with either Christianity or the non-Muslim world. Though Prof.
Ahmed,
a one-time diplomat and top civil servant in Pakistan, sounds more
idealist than realist when he espouses his call for a dialogue of
civilizations, it certainly offers, perhaps, the only way forward
for world peace. But given the greed-driven imperialism at play,
the learned professor's call may be like blowing a trumpet to a
deaf elephant.
The
conspiracy code
A secret cabal has taken control
of publishers and is making a fortune from our gullibility. Roland
White delves into a plot where nothing is quite what it seems
Ever wondered why Mona Lisa has been looking so damned enigmatic
for the past 500 years? Well, keep it to yourself but she's concealing
a dark and sinister secret.
This
unassuming young woman is actually part of a massive conspiracy
that involves a secret society, the Knights Templar, a monk assassin
and serial murder, plus coded messages that cast doubt on the marital
status of Christ. Seriously, this could blow the lid off the entire
establishment of the Catholic church.
Don't
believe it? Well, it might be bunkum, but millions are already convinced.
They have been studying details of the conspiracy in this summer's
hottest beach novel, The Da Vinci Code.
As
a word-of-mouth phenomenon, there has been nothing like this since
Captain Corelli packed his mandolin and headed for Cephalonia. Written
by the former US singer-songwriter Dan Brown, it has already sold
more than 550,000 copies in Britain. One estimate earlier this month
put worldwide sales at 10m.
The
Da Vinci code is a pacey thriller - a work of fiction - but it is
written and presented in such a way that many readers believe its
central claims to be true. It makes much of the fact that many historical
details are true.
The
plot is quite complicated - that's one of its attractions - but
at its heart is the claim that the church has been conspiring for
2,000 years to cover up the truth about Christ.
In
fact, it suggests Jesus was married to Mary Magdalene and they had
a daughter - oh, and Mary was the leader of the early church. The
motive for the cover-up, instituted by church leaders, has been
to suppress the role of women.
The
action begins in the Louvre where an art historian and a police
cryptographer discover clues hidden in the paintings of Leonardo
da Vinci. These clues lead them to a secret society, descended from
the Knights Templar who emerged during the crusades, who have been
guarding this secret. As in all good thrillers, they are not alone
in the chase; a shady figure linked to the Catholic group Opus Dei
is not far behind them.
As
you might expect, The Da vinci Code has been furiously denounced
by the Catholic church. Cardinal Francis George, Archbishop of Chicago,
says: "I resent the book. It undermines people's faith."
Perhaps, but it has gripped public imagination in a way that established
Christian churches can only envy.
Spin-off
books abound. The Louvre is reporting an increase in visitor numbers,
while tourists at Rosslyn Chapel just south of Edinburgh, also featured
in the novel, have been spotted clutching open copies of the book
as they follow the clues to the great conspiracy.
When
the hardback edition first appeared, one reviewer condemned the
book as "utterly ridiculous". It's not elegantly written
and was ignored by most critics, so what accounts for its astonishing
popularity? The answer is that in a largely secular age, conspiracy
theories are the new religion. After all, they are the perfect replacement:
they absolve the believer from blame for the ills of the world while
it's hard to prove them, one way or the other, beyond doubt. This
state of affairs was predicted about 100 years ago by the writer
G.K. Chesterton, a devout Catholic. "When people stop believing
in God they don't believe in nothing," he said. "They'll
believe in anything."
He
wasn't kidding. There are people who believe Diana, Princess of
Wales was killed because she was about to reveal the true nature
of the royal family: that they are extraterrestrial lizards in human
form. This is just one of the more colourful rumours doing the rounds
since Diana died.
Other
conspiracists believe she faked her death in the hope of getting
a bit of peace and quiet; yet more insist she was killed by MI5
on the orders of the Duke of Edinburgh.
Such
ideas are no mere Internet lunacy; even serious publishers jump
on the bandwagon. A book published earlier this year, Diana: Death
of a Goddess, linked her death to a mysterious cult called the Order
of the Solar Temple. The author, David Cohen, says it was also involved
in the death - by car accident - of Princess Grace of Monaco. The
Solar Temple? Yup, it's linked to those Knights Templar again. Unfortunately
there appears to be no evidence - as yet - that Leonardo had any
hand in Diana's death.
The
events of September 11, 2001 have also proved to be a rich source
of conspiracy theories. Barely six months after the attacks, a French
author produced a book claiming the Pentagon was bombed not by Al-Qaeda
but by the American government, which was looking for an excuse
to attack Afghanistan.
"The
damage to the Pentagon was not done by a Boeing 757" writes
Thierry Meyssan, author of L'Effroyable Imposture (The Horrifying
Fraud). "It could only have been done by a cruise missile because
there is a sort of piercing of the walls," Barmy though the
theory was, it was at one point selling 100,000 copies a week.
Then
there are the conflicting theories about Osama bin Laden. Is he
being held in Pakistan so the government there can continue milking
the Americans for cash? Or is he being held by the Americans so
President George W. Bush can produce him on the eve of the election?
No self-respecting conspiracy theorist can seriously believe that
he's just hiding in a cave.
The
trouble is that the very people who suffer from such popular delusions
- the authorities - have fuelled the fashion for believing in them.
As Lionel Fanthorpe, an Anglican priest and president of the Association
for the Scientific Study of Anomalous Phenomena, says: "We
are far less trusting than we were. There is disappointment in church,
leaders, politicians and scientists."
It
does not seem to matter that the conspiracy theorists are just as
unreliable as politicians who make wayward claims about, say, weapons
of mass destruction. In 1997, for example, Michael Drosnin, a Wall
Street Journal reporter, published a book, The Bible Code. It claimed
that the scriptures contain a hidden code predicting future events.
It was an instant bestseller.
Experts
soon showed that the "code" was no more than the sort
of patterns that could be found in any large volume of words. But
that code still has its adherents and it is one of a number of phenomena
to be studied in a four-part series, Conspiracies, starting next
month on Sky One. It will also cast an eye over the Illuminati,
a secret sect founded in the 18th century that some people claim
is now running the world. That theory is clearly nonsense, of course;
everybody knows that the world is run by the lizard Queen, funded
by a drug-running operation controlled by MI6.
If
you are looking to make your own fortune from a conspiracy theory,
it's essential to have two key ingredients: a historic event or
character, plus an outlandish but faintly believable alternative
to the accepted wisdom.
Take
the sinking of the Titanic, which hit an iceberg in 1912. Except
that it didn't, according to the book Titanic: The Ship That Never
Sank? It claims that the sinking was a complex insurance fraud and
that the wreck on the ocean floor is actually the Titanic's sister
ship, the Olympic.
What
would Leonardo have made of all this fuss? Well it's not easy to
tell because, of course, he wasn't beyond a prank himself, according
to a recent theory. It suggests that his most famous painting, the
Mona Lisa, is actually a portrait of himself.
This
idea was recently put forward by an American computer artist, Lillian
Schwartz, who compared the Mona Lisa with a Leonardo self-portrait.
Even the name, as Dan Brown notes in The Da Vinci Code, suggests
Leonardo was in touch with both his male and female sides. Mona
Lisa is an anagram of Amon, the Egyptian god of masculine fertility,
and L'isa, another name for the goddess Isis.
Surely,
the conspiracy theorists will insist, this is no coincidence. Rubbish:
Mona Lisa, as anyone can see, is also an anagram for "Lo (short
for Leonardo) is a man". Obvious when you see it, isn't it?
(The Sunday Times, London)
The art of the hidden message
The riddles about paintings that appear in the Da Vinci
Code may be fiction but there are pictures that do use symbols to
convey unusual messages. Take Hans Holbein's The Ambassadors, which
hangs in the UK National Gallery. Is it just a rather complicated
portrait of painting of two men, the French and Vatican ambassadors
? Wrong. Painted in 1533 during the Reformation, it is packed with
subtle little digs about the religious divisions of the time.
The
lute lying near a Bible, for example, has a broken string, suggesting
discord. The word "europa" on the globe is upside down,
suggesting an unsettled world. And a small sundial marks a single
date: Good Friday 1533. Nothing sinister in that - except that 1500
years after the crucifixion was, at the time, believed by many to
be the day of the Apocalypse.
Another
famous work with a curious twist is The Arnolfini Marriage by Jan
van Eyck. Is it just the equivalent of a modern wedding photograph?
When examined closely, a hidden message emerges. The mirror on the
wall shows a man watching the ceremony and above it is written "Jan
van Eyck was here”. Some experts suggest this is almost a
marriage certificate, with the artist's signature to show he was
a witness to the event. |