Doubling
up
When two people play the same role, they can each explore
different approaches, as is the case in R&J. Marisa de Silva
takes a closer look
With two weeks to go, the countdown
has begun, for the staging of the much talked about production R&J.
Talking to the core-characters of the play, one gets an inkling
of their intense involvement and commitment, to this immortal love-story.
Anuruddha
Fernando, the assistant director, who also plays Friar Lawrence
says of his role, he is the father figure to Romeo as the Nurse
is the mother figure to Juliet. But his well-meaning advice inadvertently
set off a series of events, which culminate in the deaths of the
young lovers. “This ambiguous role gives me the opportunity
to explore the entire gamut of emotions,” says Anuruddha.
Speaking
to Wanda Godlieb, the Nurse, one is able to immediately create a
mental image, of the close bond between herself and her “little
baby.” Although not Juliet’s biological mother, the
nurse stepped into her role almost immediately and has remained
her closest friend. An emotional character, the Nurse is most often
ruled by her heart and not by her head, with regards to Juliet.
Therefore, she too could have done or not done many a thing, to
avoid the tragic end of the lovers.
And
finally, the Romeos and Juliets share with us their experiences
on the set of a timeless love story… Swasha Perera, the first
of the pair of Juliets explains how the two portrayals of the Juliets
differs according to their personalities. She plays the more mature,
‘ladylike’, intense, yet innocent, Juliet, as opposed
to the mischievous portrayal of the other.
The
real ‘arty’ type, who loves to paint, read and dance,
she was also very headstrong and knew exactly what she wanted in
life. This is exemplified when she instantly recognised her ideal
partner, in Romeo, at their first meeting.
She
would also always weigh the pros and cons of any decision she was
to take, excluding that of marrying Romeo, however. Even at a point
when practically everyone was against her, she acted very rationally
by opting to seek counsel from the Friar, prior to making her next
move. Even after obtaining the vial of “distilled liquor”
from the Friar, she contemplates the gravity of her actions, because
after all she was going to feign death. The only time she let her
emotions rule her was when she decides to take her own life when
she sees Romeo dead beside her.
Manoj
Singanayagam, one of the two Romeos speaks up next. Our depiction
of Romeo is pretty similar, he says, since Romeo is quite a straightforward
role to play. In crux “Romeo is in love with the concept of
being in love,” says Manoj. His character progressed from
one of a typical ‘play boy’ to that of one who has fallen
madly in love, for the first time in his life. He initially tries
to win Juliet over using some of his trademark ploys of flowery
words and sweet nothings, completely oblivious to Juliet’s
partiality towards him. However, he soon realises that his usual
ploys won’t work with Juliet and that he should just be honest
and straightforward with her.
His
impulsiveness and rashness is what leads to his eventual downfall.
He just gets caught up in the moment, and acts without giving a
thought to the consequences of his deeds. “Initially, it was
very hard acting romantic with the two Juliets as they were both
my good friends. But, now we just play off each others’ emotions
and energy, so it works out quite well,” says Manoj.
Shanuki
de Alwis, also playing Juliet, brings out the lighter, more childlike
side to her character. She puts aside all her family loyalties,
future stability and possible happiness with Paris, to be with Romeo.
She even initiates the first kiss and suggests that the couple should
wed. Her true self is brought out only when she’s with Romeo
and possibly with the Nurse, because with them she doesn’t
have to live up to any expectations.
“The
story highlights the universal message of being free to love whoever
you want to love,” she says. In a matter of three hours, you’ll
see Juliet transform from a child to a woman.
The
last of the foursome is Marsh Dodanwela, the other Romeo. Having
come to an agreement on how the general character of Romeo should
be played, they both seem to capitalise on their strengths, says
Marsh. Whilst Manoj is better at the comic side of Romeo, Marsh
finds Romeo’s more passionate, volatile side, to be his forte.
Romeo’s
basically a spoilt little rich kid, who has everything money can
buy, good looks and good friends. So much so, that he’s completely
bored with his life thus, is leading a life of disillusion and is
steadily on the path to self-destruction. Which is why him falling
so deeply in love in a matter of hours comes as such a surprise.
He
finds it difficult to see past his emotions and usually follows
a narrow line of thought, right up to its logical conclusion. Whilst
giving into his own instincts, he becomes a victim of his own rage.
But, as he consciously made each of his decisions, he can’t
blame anybody else for his destruction. He genuinely tries to be
a better man for Juliet’s sake but eventually fails to overcome
his many flaws.
Adding
so many dimentions to their portrayals, in a short span of three
hours, these characters will take the audience through a lifetime
of love, laughter and tears.
Jointly
presented by Yes FM and Mobitel (Main Sponsor), with Golden Key
as Co-Sponsors, HP&S Advertising (Pvt) Ltd. coming in as the
official advertising agency R&J opens on October 1 at the Lionel
Wendt. Tickets will be available at the Wendt from tomorrow. The
costumes are by Sonali White. The official print media sponsors
are the Daily Mirror and The Sunday Times. |