Prasanna
does it again
Prasanna Vithanage is a bold young filmmaker willing to experiment.
His docu-style feature film, Ira Madiyama is a rare treat. It's
a new experience for the cinema-goer who finds three stories interwoven
and presented in a most interesting way. There is freshness in his
approach. The players don't act - they simply live their normal
lives. Cameraman M. D. Mahindapala captures their moods brilliantly.
The music, sparingly used, is meaningfully presented.
At
the end of the film, one begins to wonder how Prasanna made such
an interesting film with none of the usual ingredients. There are
no romances. There are no fights. There are no songs. There are
no crude jokes. There are no vulgar dialogues. Yet the film is good.
No wonder foreign audiences liked it. It was highly acclaimed at
International Film Festivals, winning a number of awards.
The
theme being the war in the north, it is a sensitive subject that
Prasanna has handled well. That's why we can leave the cinema hall
happy that we have seen a good film. He identifies three parties
affected by the war and relates each one's plight. His theme is
the human aspect and that's why one can relate to it.
Lead
actress Nimmi Harasgama won the Best Actress Award at the Fifth
International Film Festival of Las Palmas De Gran Canana in Spain.
Hers is a restrained performance as Chamari, the young woman looking
for her soldier-husband who is missing in action. The 11-year-old
Mohamad Rahfiulla as Arafath whose love for his dog makes him sad
when the family is forced out of their homes by the rebels, is so
natural that he gains the sympathy of the audience. Possibly for
the first time in a Sinhala film, Prasanna uses Muslim faces for
Muslim characters thus making them credible. Normally, Sinhala actors
play these roles.
Few
may have realized that Lakshman Joseph de Saram makes his debut
as music director in a Sinhala film. We have seen him playing in
almost all of Premasiri Khemadasa's concerts. And now he is on new
ground. The effort is admirable. |