Her
spell-binding tale
By Ayesha Inoon
She seems to be everywhere at once... laughing, talking, encouraging,
criticising, and on the whole, inspiring the cast to try harder,
and do better. This is Juanita Beling, the energetic young directress
of the Sri Lankan adaptation of the hit Broadway musical, Godspell.
Her crew is a blend of experienced as well as amateur actors belonging
to the Reach Theatrix drama group, which is also headed by her,
and whose first production was War Letters earlier this year. On
being asked how she handles such a diverse and young group of people,
she laughs and says, “Can’t you see? I’m going
crazy!”
Juanita, who has been on stage ever since she was two years old,
says that she first became seriously interested in theatre when
she took part in the All Island Interact Drama Competition in 1992,
at the age of 14, which made an enormous impact on her. Despite
being the first time that her school, Methodist College had taken
part in this competition, they came away with all the awards, Original
Script (Burning the Candle at Both Ends by Ruwanthie De Chickera),
Best Production, and Best Actress, Juanita herself.
This
sparked the inbred ambition in her to take her on an exciting voyage
in the field of drama, which has led her to play many roles in significant
productions. These include, Feroze Kamardeen’s Julius Caesar,
the Workshop Players’ West Side Story and Lion King and Ruwanthie
De Chickera’s Mirror Making Factory.
One
play which made a deep impression on her was, Dharmasiri Bandaranaike’s
Trojan women, which was a Sinhalese drama in which she played Helen
of Troy alongside actresses, Anoja and Yasodha. She says that this
role proved to be extremely challenging, and by taking her beyond
the boundaries of English Theatre, opened her mind and broadened
her horizons.
Juanita’s
career has not been limited to acting alone, as she has directed
many productions, such as An Evening of Mystery for Methodist College,
War Letters for Reach Theatrix, and several Shakespeare and Interact
Drama competitions.
Juanita,
whose Grandfather designed the Lionel Wendt Art Gallery, comes from
a family that has always been involved in the Arts. Her father,
she says, is from whom she and her sister Adele, get their musical
genes (her first public concert was singing a duet with Adele at
the Wendt), and while Adele is the prominent nightingale of the
flock, Juanita has been drawn further towards her mother’s
gift in acting. Of her husband, Hans, she says, he has been her
main source of encouragement, motivating her to take on new roles
that she feels apprehensive about.
Between
teaching Speech and Drama at Lyceum International, and all the other
ventures she has on hand, Juanita’s days are full and happy.
Being well qualified for her tasks, she has completed her practical
in the Fellowship Diploma Trinity College, London, for Speech and
Drama, and won several awards for singing and acting in both inter-house
as well as inter-school competitions.
A
particularly enriching experience in her life was the time she spent
in London, on a scholarship awarded by the British Federation of
Festivals. It was to Mountview Theatre School in London, in 1998,
and she says she has benefited a great deal from working in a professional
theatre school with people from varied backgrounds. She tried to
learn and absorb as much as she could during her stay there, gaining
knowledge from the expertise of the teachers. She says she feels
fortunate to be able to bring back the essence of what she learned
there back to Sri Lanka, so that she could play a part in improving
the standard of the local theatre.
Of
her present endeavor, Godspell, a vibrant musical drama, she says
that she saw it in a catalogue “ages ago”, and was attracted
to the improvisation technique used in the script, which meant that
it could be adapted and interpreted in many ways, which made it
perfect for her youthful drama group. It’s exciting, she adds,
to work with youngsters who’ve never been on stage and bring
out latent abilities.
Juanita,
whose inspiration in life is her faith, has a vision, a vision imparted
to the Reach Theatrix drama group, of bringing more socially relevant
dramas with powerful messages, ones that can be enjoyed by the entire
family, to the local scene. She would like to see this type of drama
being enjoyed all over Sri Lanka, with Colombo as the launching
pad, and plans to take War Letters to Galle in the near future.
With
her effervescent personality permeating the plays she directs, and
her strong ideals and ambitions, it is certain that she will make
a profound impact on the local theatre scene.
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