Deep
into history
Shipwreck Detectives, a World War II documentary on
the “Battle of Ceylon”, brings four veterans on a personal
odyssey back to the shores of Sri Lanka, 60 years on
By Ruhanie Perera
“From the moment I got off the plane and got into my first
tuk-tuk – I was hooked.”
Julia
Redwood, director of the documentary on the Battle of Ceylon which
was filmed in Sri Lanka over the last month and one of the producers
for the series Shipwreck Detectives sits on the terrace by the sea
at the Galle Face Hotel. Her work in Sri Lanka complete, she finally
has a moment to recount her experiences. The cinematic journey she
describes is one that tells the story of a significant moment in
Sri Lanka’s modern history – a moment that has been
recorded as the “most dangerous moment” of the Second
World War, the Battle of Ceylon.
Perhaps
it is poetic justice that this interview should have taken place
so close to the sea for the focus of the film crew’s work
here has been to uncover the stories of the sea…
For
the Shipwreck Detectives, their quests for wrecks lay emphasis on
the idea that “shipwrecks are not about treasure, but about
history”. The overall theme of the second series of Shipwreck
Detectives, a three-part documentary on the maritime archaeology
of Sri Lanka specifically centred on Galle and the Dutch colonial
past in Sri Lanka, a 2000 BC shipwreck off Turkey and the Battle
of Ceylon made for ABC Television and Discovery Canada, is thus
about making people aware of history through shipwrecks, underscoring
the significance of maritime heritage and the importance of protecting
it.
Julia
Redwood and Ed Punchard, the principal players in the Fremantle,
Western Australia-based documentary production company Prospero
Productions established in 1991 have always had “a passion
for telling stories and a passion for history, maritime history
in particular”. Ed, a North Sea diver was involved in what
was considered the world’s worst off-shore oil disaster in
1988 in the North Sea and has an understanding of being shipwrecked
and of “losing mates at sea”. The natural progression
of which is the great affinity the team shares for “shipwreck
stories”, for the stories of “people who have survived
shipwrecks and for the families and friends who have lost people
at sea”.
Three
strands make up the Battle of Ceylon film, the working title of
which is “the most dangerous moment” – the search
for two shipwrecks the HMS Hermes and the HMAS Vampire, the personal
journeys of remembrance made by four war veterans and the historical
analysis which involved researching the question ‘why did
Churchill call this the most dangerous moment’ and the exploration
of the many Sri Lankan perspectives on the event through the stories
of veterans and civilians who lived through the air raids of April
5 and 9, in 1942.
This
story of the Battle of Ceylon is thus linked to the two shipwrecks,
the HMS Hermes, an aircraft carrier that was a significant British
vessel and the accompanying Australian destroyer, the HMAS Vampire,
which were sunk on April 9, 1942 during the Japanese air raids over
Colombo and Trincomalee. Says Julia, “We discovered the story
and loved it. It was tragic, dramatic and significant in terms of
history, WWII history in particular and barely discussed.”
Curiosity
aroused, it was decided that through the Shipwreck Detectives a
search would be carried out for the Hermes and the Vampire, the
quest being to find the Vampire which had never been located and
to relocate the Hermes which had been located off Batticaloa. Taking
the lead in this adventure were maritime archaeologists from the
Western Australian Maritime Museum; Jeremy Green, the head of Maritime
Archaeology at the museum and Corioli Souter were no strangers to
Sri Lankan maritime archaeology because of their work in the field
of exploring the underwater archaeological potential of Sri Lanka
with Somasiri Devendra, retired Lieutenant Commander of the Sri
Lanka Navy, today a naval historian and maritime archaeologist.
This
project carried out under his supervision (which involves the film
being released with his authorisation) saw the diving expedition
in Batticaloa make the discovery that the Hermes was not located
where it was on the admiralty charts. The Vampire, unfortunately,
could not be found. Says Devendra, “Off the coast of Sri Lanka
the continental shelf is very narrow and off Batticaloa there is
a deep trench which comes very close to the shore and we think the
Vampire may be there. The area is about 900 metres deep and locating
it is impossible – unless we had the equipment used in the
search for the Titanic.”
The
Battle of Ceylon story, running for the duration of one television
hour, approximately 52 minutes, traces also the intensely personal
journeys of four war veterans who were survivors from the vessels.
Stan Curtis and Alex Rusk (HMS Hermes) and Vince Cesari and Bill
Price (HMAS Vampire), returned to Sri Lanka after 63 years, having
never returned after the war. For these veterans, says Julia, who
are in “the twilight of their years, the autumn of their years,
this could be the last time they’ll get to tell their stories”.
Retracing
their steps from Colombo through Kandy to Trincomalee, the journey
was for most of them a moment to relive events, points out Consultant
Historian for the documentary Sergei DeSilva-Ranasinghe who worked
closely with the veterans. This experience, he feels, also brought
about some sense of conclusion at the latter stages of their lives
and it perhaps may have even raised more questions – “questions
which are unanswered to this day and perhaps never will be”.
At
the core of the historical strand of the documentary is one haunting
question, ‘why would Churchill call this the most dangerous
moment’. Presenting the many perspectives on the subject is
Sergei, an individual with – as Julia points out – a
passion for Sri Lanka. A Sri Lankan-born Australian, Sergei brings
into the film a “unique perspective because he’s an
outsider but he’s from this place and he has an absolute passion
and commitment to Sri Lanka”.
In
Colombo and Trincomalee, Sergei was brought in to explain the sequence
of the tactical air raids and explain the overall strategic situation
that faced Ceylon before and after the battle. “The Japanese
air raid over Colombo and Trincomalee was a strategic and tactical
success but the Japanese failed in their main objective, which was
to locate and destroy the British Eastern fleet. The Battle of Ceylon
was considered by Winston Churchill to be the ‘most dangerous
moment’ of the Second World War for the British. Why? Until
the first half of 1942, Germany and Japan were making steady territorial
gains from North Africa, the Caucasus and the Indian Ocean. Ceylon
was the weakest link in the defence perimeter. Most importantly,
if the British lost control of Ceylon, they essentially lost control
of the Indian Ocean, with the potential loss of India. For the British
at that time everything in the East hinged on retaining the naval
bases in Ceylon.”
Introduced
to Prospero Productions through Devendra, Sergei’s primary
role was to research the Japanese air raids of April 1942. In the
documentary his was an interactive role that saw him cast as an
on-screen character.
The research on the Battle of Ceylon, is as Sergei describes it,
a “work in progress”. “It’s like trying
to fit a jigsaw puzzle together with sections still missing. With
limited historical information on Japanese perspectives of the operation,
he is on the lookout for information on the Battle of Ceylon, by
way of articles, film footage, letters, memoirs and photographs
etc. He is also interested in finding out more about the role of
the Ceylon Naval Volunteer Force (CNVF) and the Ceylon Garrison
Artillery (CGA), that had featured prominently in the air raids.
(Sergei can be contacted at sergei.desilva@optusnet.com.au or PO
Box 251, Batman Victoria 3058, Australia.)
This
documentary sets out to do more than simply document historical
fact. It tries to bring about some resolution to an intensely personal
moment that climaxes with the memorial mass at sea in Trincomalee
when the Sri Lanka Navy took the veterans to pay their respects
to their shipmates. The moment is a conclusion of sorts, emphasising
the significance of journeys, both personal and political, remembrances
and the silent promise that veteran and historian make to those
who were lost in this historical moment that “they shall not
grow old…”
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