Building
tsunami houses the Ban way
World renowned Japanese architect
Shigeru Ban is designing homes for tsunami survivors in Kirinda
By Feizal Samath
When Japanese architect Shigeru Ban was asked to design post-tsunami
housing in Sri Lanka, India and Thailand, it was the Sri Lanka project
that appealed to him most.
“I
got three inquiries from Sri Lanka, India and Thailand. The reason
I chose Philip Bay’s Sri Lanka project was that his object
of the project was clear; it was for a smaller community and a minority
group in a more difficult situation,” the 48-year-old award-winning
architect said in an exclusive interview with The Sunday Times last
week in Colombo.
Bay
is based in Greece as regional director for global real estate developers,
Colliers, which is funding the project. Architect Ban, a brilliant,
Paris-based Japanese national who has built homes for the rich,
temporary shelters for the displaced and is currently building a
museum in Paris, finds airports and inside planes the most comfortable
environment to work in. “This is where I can relax; this is
where I get my ideas. When I’m in a plane, I don’t belong
to any country,” he laughs during one of his quick, low-profile
visits to the island.
Sri
Lanka should be privileged – in a way – to have an architect
of Ban’s calibre helping victims of the tsunami in the southern
village of Kirinda. Ban, an expert on designing temporary houses
for disaster sites across the world and creator of ‘paper’
buildings, is developing homes for a small Malay community of 67
families whose breadwinners are mostly fishermen or divers near
the Kirinda harbour.
“I
love working with small groups, minority groups,” said Ban
who jets between Paris, Tokyo and New York and in between comes
to Sri Lanka on project visits. “I am always on the move and
when on the ground hardly have time to relax.”Joined often
on the Sri Lankan trips by Bay, the duo resides at a Geoffrey Bawa-designed
home while in Colombo. During his visits, Ban goes straight to Kirinda
from the airport, often accompanied by Pradip Jayewardene, trustee
of a foundation set up to coordinate this project, and then returns
to Colombo for just a day before flying to Paris or elsewhere. Such
is his busy schedule.
It
was Jayewardene who picked the site after Bay expressed interest
in a tsunami project. “I drove down the coast all the way
to Kirinda. When I went to the Kirinda temple, I realized that this
was the place mentioned as the area where Vihara Maha Devi landed
after what was probably the last known tsunami in our history. What
better place to rebuild? I sent the pictures to Philip with a description
and he was very moved by what he saw,” said Jayewardene, a
pioneer in the solar power revolution in Sri Lankan villages.
Winner
of many international medals, accolades and the subject of numerous
international media interviews, Ban is not worried about protecting
his designs aimed for the disadvantaged group saying, “I have
no problem if this (Kirinda) design is copied. Normally architects
don’t want it copied but I am happy if (locals) copy the designs.”
In
fact some other tsunami-unaffected villagers at Kirinda excited
by Ban’s amazing architecture want their homes built the same
way. In further support to the community, he even designed a new
mosque for the one that was destroyed. Like all his work in helping
disadvantaged communities through his own non-governmental organisation,
the Voluntary Architects Network (VAN), his efforts in Sri Lanka
are entirely voluntary.
His
work with global communities affected by natural disasters is immense.
Last week, just before coming to Sri Lanka he told a UK-based Guardian
newspaper journalist in an interview that he was discussing with
a British Pakistani benefactor about re-housing some of those devastated
by the recent Kashmir earthquake. "I'm like the Thunderbirds,"
he joked in that interview. "They always find me somehow.”
The
cost of the Kirinda project is Rs 100 million for which Colliers
has raised enough for the first and second phases of the project.
This year they hope to complete 35 houses excluding two model homes.
Ban
has worked in disaster areas since 1994 designing temporary shelters
in Rwanda for UNHCR during the civil conflict and homes for earthquake
victims in Kobe, Turkey and India. Apart from his generous contribution
to housing disadvantaged communities, he is globally recognized
for using paper in construction. “In 1986 I created paper
houses much before the environment lobby got started,” he
says.
He
has built homes, pavilions and churches, some of them permanent
structures using essentially paper tubes that often come in fax
rolls or cement. According to one newspaper report while working
for the UN, he shipped paper log houses to Turkey and Rwanda. “The
Japanese pavilion he created for the EXPO 2000 in Hannover, Germany,
was a huge undulating grid of paper tubes enclosed, like a covered
wagon, with a paper canopy,” another newspaper said.
Ban
won the bid for the reconstruction of the World Trade Center and
was recommended by the panel of judges, but the Mayor of New York
City and the Governor of New York awarded the project to an architect
from New York.
When moving to disaster sites he looks for cheap and inexpensive
material as construction is the first sector where prices rise during
a disaster. He finds that using paper is environmentally friendly
and stops deforestation.
Ban
and Bay arrived in end January 2005 and after discussing with the
Kirinda community their needs, Ban began designing a house that
would suit the people. “They wanted space to repair nets,
boats, etc,” he recalled, adding that this is the first time
he was developing a permanent structure for an affected community.
His
designs – works of art by any standards – create spaces
for residents. The two-bedroom house has a high roof, with a large
covered space interspersed between the sitting room/dining/bedrooms
with the kitchen/toilet, open to the garden on either side.
“Communities
here like to live amongst nature and blend; that’s why you
find the kitchen and the toilet outside the house. I have created
that environment except that the space is covered.”
Philip
Weeraratne, the local architect in the project, said they were using
earthbricks and an interlocking process developed in Oruville in
south India. “This bricks are compressed earth with a little
cement mortar for binding,” he said.
Ban
said they used treated rubberwood for the doors and windows for
the first time in Sri Lanka and installed pre-fabricated furniture
– shelves and cupboards in the 800 sq-foot house.
The
shelves and cupboards double up as walls, saving space and the need
to obtain furniture. “In Sri Lanka, houses are built with
multipurpose open space. It connects nature with space very much
like what we have in Japan,” Ban said adding that tsunami
victims have suffered a lot mentally and space is an important element
in their recovery.
“I
have been amazed by the culture, the climate and Geofrey Bawa’s
work,” Ban said, when asked whether this experience has enriched
his work and life.
On this trip he brought a group of Japanese students from Keio University
to help and learn from the project. They were involved in a workshop
with Sri Lankan students from Moratuwa University and together the
two groups planted trees at the Kirinda site, “to create shady
spaces as shading is part of the Sri Lanka lifestyle”.
|