The
story of the Sri Lankan middle class
Remembering him coming down the Marrs Hall hill in the Peradeniya
campus in the mid-fifties and doing a quiet walk passing Jayatilleka
Hall, we never imagined Gunadasa Amarasekera would rise to be an
outstanding figure in Sinhala letters after Martin Wickramasinghe.
Of course, by the time he came to Peradeniya to join the Faculty
of Dentistry, he had a short story, 'Soma' written as a student
of Nalanda in 1950, recognized as one of the best short stories
in the world that year.
'Soma'
along with others appeared in his first collection of short stories,
'Rathu Rosa Mala' in 1953. A year later, his first novel, 'Karumakkarayo'
was published. Since then his writings have appeared at regular
intervals. He soon made his name as a novelist, poet, short story
writer, critic and, of course, in more recent times, a leading voice
in the Jathika Chintanaya movement. His tally of writings is quite
impressive – 12 novels, seven collections of short stories,
five anthologies of poetry and seven works on literary and social
issues.
Amarasekera
is ready with his latest novel, 'Gamanaka Meda' where he continues
the story of the evolution of the middle class in Sri Lanka which
has been the theme of his novels in the past two decades. The Visidunu
publication to be launched on April 27 deals with the period 1970-77
and discusses the political and social forces that worked during
this time along with the personalities involved.
Amarasekera
started the narrative with 'Gamanaka Mula' referring to the period
1930-48 and in the second book, 'Gamdorin Eliyata' continued the
story of Piyadasa in the backdrop of the fast-changing socio-religious
and political scene from 1948 to 1956. While the third book, 'Inimage
Ihalata', deals with the dawn of a new era beginning with the 1956
political upheaval, the fourth titled 'Vankagiriya' traces the efforts
by the middle class to grab power that was once held by the upper
class and the fate of the intellectual in that context. The fifth
volume titled 'Yali Maga Vetha' deals with Piyadasa going back to
the traditional style of living which he had once rejected with
contempt. The sixth, 'Duru Rataka Dukata Kiriyaka' relates Piyadasa's
experiences during a stint abroad as a result of which he becomes
a changed man both in mind and heart.
While
his publications are popular among the reading public, many of Amarasekera's
writings are being extensively used as educational material from
the 0/Level and A/Level right up to post-graduate stage. No other
Sinhala writer possibly can boast of such a record.
An
interesting feature is how two of his works – 'Asathya Kathawak'
and 'Premaye Satya Kathawa' which did not gain much recognition
at the time they were published in the late seventies, won the Gratiaen
Prize for creative writing as well as the State Literary Award for
the Best Translation, when translated into English 25 years later.
The
translations were by Vijitha Fernando. Incidentally the two novels
have just been released as one since the two stories are interlinked.
Amarasekera prefers to call them "twins". The new publication
also carries a critical evaluation by Gevindu Cumaratunga.
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