A journey through the ages with a tapestry of ritual and dance
View(s):A few weeks ago, I attended the 75th anniversary celebration of the Kalalaya School of Music and Dance (part of the Sri Lanka Tamil Women’s Union) at Bishop’s College, Colombo 3. Principal Neela Thayaparan and producer Natyapoorna Dr. Nirmala John presented a rich history of dance drama that intertwined our culture with the country’s spiritual, religious, and social fabric.
Dance in Sri Lanka is not merely a form of artistic expression; it is a powerful cultural symbol embodying centuries of religious rituals, mythological storytelling, and communal celebration. The inclusion of Muslim dancers in this performance highlighted how dance and history have shaped all races and religions in our country. Traditionally, Muslim communities in Sri Lanka have maintained their own cultural practices, largely centred around Islamic traditions, which have not emphasised dance in the same way as Sinhala or Tamil traditions. The significance of including the Muslim perspective lies not only in showcasing the fusion of cultures but also in conveying a broader message of mutual respect and the universal nature of dance as a practice that unites all races.
It was remarkable to see Dr. Nirmala surrounded by devotees performing an ancient item, the Esanya Gowthuvam. The comparison of the two Gowthuvams, from temple origins to their presentation on the proscenium stage, was captivating and thought-provoking. By presenting ‘Natya Saga’ in a storytelling format using Bharatanatyam techniques, Dr. Nirmala beautifully wove together various cultures, illustrating their way of life and the dance forms that evolved from their traditions. She vividly depicted the impact of Western culture during the British period, showing how local communities were influenced by and interacted with the British through dance. This portrayal highlighted the cultural exchanges and influences that have shaped our nation.
The origins of dance in Sri Lanka can be traced back to ancient rituals that predate Buddhism, particularly animistic and spirit-worship practices. However, with the arrival of Buddhism in the 3rd century BCE, dance became more formalised, closely associated with Buddhist rituals, temple ceremonies, and festivals. The most iconic forms of Sri Lankan dance include Kandyan, Low Country, and Sabaragamuwa dances, each with its own distinct style, costumes, and regional flavour.
Against this historical tapestry of ritual and dance, the audience was taken on a journey through the ages, including a beautiful narration of the Rama-Sita story in koothu style.
The dance drama for this 75th anniversary was not only a celebration of artistic expression but also a powerful statement about cultural inclusivity and harmony.
Fiona Raymond
Searching for an ideal partner? Find your soul mate on Hitad.lk, Sri Lanka's favourite marriage proposals page. With Hitad.lk matrimonial advertisements you have access to thousands of ads from potential suitors who are looking for someone just like you.