Mirror Magazine

 

Sharks off to Kenya
By Ishani Ranasinghe
Six weeks of gruelling competition, 40 teams pushed to limits that they did not know existed. Ultimately, it was the Sharks who outwitted, outlasted and outplayed the rest and walked away with a trip to Kenya as the survivors of the Kit Challenge.

It was their moment on January 24, at the Beira Terrace of the Trans Asia Hotel as the Kit Challenge Awards Night was held.

The Kit Challenge was a game based on the Survivor concept, but done Sri Lankan style. Launched by Dialog GSM, it sought to associate KIT with youthful traits such as endurance, vigour and survival.

The evening proved to be a wonderful end to the rich experience the adventurous young participants received. Starting off with a somewhat bizarre action song in which everyone participated enthusiastically, what followed was a five-minute footage that gave an insight into what the challenge entailed.

They say that the greatest challenge is the unknown opponents…and the Sharks were the best at this game. The evening was an end to a great adventure where the best among the best won and the rest walked away happier and tougher, though a little bruised.

The sponsors for Kit Challenge were Wild Holidays, SriLankan Airlines, Anchor ShapeUp, Yes FM, MTV and The Sunday Times.


Daring to be different
By Thiruni Kelegama
Classy, contemporary elegance. Who says offices today are dull, functional places where tables and computers hold sway? Vibrant and welcoming, starkly futuristic or traditionally decorated, they can offer a whole new dimension to staff and visitors through their decor and ambience, complementing their line of business.

Hidden by foliage, and sitting in a discreet corner of Kynsey Road, the Q&E Advertising office was originally a house. Today it has been transformed into a state-of-the-art, modern workplace, where creativity has been given full rein.

You walk into a reception made entirely out of glass (in keeping with modern decor trends, while the transparency of the glass lets in light) and you notice the lush greenery of the tree-shrouded environs, which provide a protective shade to the building. This area, which leads into the lobby, definitely has its own cool ambience.

The lobby, a stark, open space has a different feel. One long burnt-red handwoven panel hangs from the ceiling. Wooden armchairs lend a homely, welcoming touch and glass centre-tables are a focal point - a glass sits atop a concrete stand, and covers a small silver star, which is placed in the midst of thousands of madhatiya eta. Surreal, with an element of fantasy one would think.

But what is most striking in the lobby is the huge concrete sculpture facing the main area. As with any abstract work, it sets the viewer thinking. "You could sit here and think that it can signify either the circle of life or it could be nothing but a chunk of concrete," says Q&E's Communications Manager, Muditha Upasena.

A partly hidden wooden staircase, which is at the corner of the lobby, is another attraction adding to the mystery of the place. The mystery, in the case of Q&E, is that one would not know what to expect. This staircase leads to the offices upstairs.

Adding some brightness to the stark decor are metallic statues of a dull gold hue; "to give a futuristic, yet classic touch to the building". These are adorned with the most unusual devices possible. Bicycle chains, nails, screws, cogwheels and free wheels. Again it sets the creative side of you questioning.

But it is the boardroom that is the piece de resistance.

Designed in black and gray, with a touch of red on the blinds covering the glass windows, it speaks volumes about the creativity the company is renowned for. A glass table on three concrete stands takes centre-stage with subdued lighting providing a mellow atmosphere.

The many awards that Q&E have won over the years line up one side of the wall on glass shelves. On the other are three pictures mounted on three pieces of wood, painted black, their unfinished texture giving them a concrete look.

These pictures command the attention of all in the room. The first has a teacup, with a number of ants in the vicinity. In the next picture, more ants have flocked there. In the last there are thousands of ants in the teacup.

With the teacup supposed to represent the company, and the ants flocking towards it the clients - these pictures make a statement. A statement which seems to fit Q&E just perfectly.

Creative decor indeed, for a creative company.


Back to Top  Back to Mirror Magazine  

Copyright © 2001 Wijeya Newspapers Ltd. All rights reserved.
Webmaster