‘Mona
Lisa Smiles’ amidst big movies
By Harinda Vidanage
As
Hollywood block busters rolled out into cinemas creating huge profits
and keeping the capitalist money machine rumbling like a supercharged
torpedo a very different type of movie managed to surface amidst
the block buster blockade to the cine world. “Mona Lisa Smile”
is one of those movies where heart and head clash and neither wins.
A period women’s picture directed by Mike Newell
This
movie created by Anastas Michos at Wellesley College and at sites
around Columbia and Yale, opens on Katherine Watson (Julia Roberts),
heading into her first job as an instructor in Art History. Politically
liberal, she bumps hard against the culture of Wellesley which,
despite its location in the heartland of the progressive state of
Massachusetts is bogged down in the regressive politics of the period.
The school is for women only, only white faces are on exhibit, and
the student body comes across as well-heeled to a fault. Julia Roberts
portrays an art teacher who gets a job at the prestigious Wellesley
School for girls in the 1950s. She’s hip and cool, coming
from California.
“Mona
Lisa Smile” does offer a loving, amusingly detailed re-creation
of the styles and music of the Eisenhower era, as well as a stellar
ensemble of actresses playing the mostly WASP upper-class students
and wives-to-be in Katherine’s first Wellesley class. Decked
out in confining ’50s girdles, bras and prejudices, the actresses
are fun especially Julia Stiles as budding lawyer Joan Brandwyn,
Maggie Gyllenhaal as class tart Giselle Levy, Ginnifer Goodwin as
socially challenged Connie Baker, and Kirsten Dunst as rich-witch
nemesis Betty Warren.
Julia
Roberts discovers that it’s actually some bizarre Nazi training
camp with but one sole purpose in mind. And that’s to prep
these girls in the fundamentals of housewivery. All that these whirling
dervishes want to achieve in life is a husband and the ability to
keep him happy. Instead of studying physics and the American Judicial
System, our harlots are more interested in learning how to cook,
clean, and give one mean handjob in the backseat of a boat-sized
Buick. Sounds good to me, where can I sign my girl up? In an in
depth interview about her new movie Roberts says a sense of humor
keeps her grounded; she isn’t always reminded that she commands
$20 million a picture, so she isn’t always pressured to out-do
her “Erin Brockovich” best actress Oscar-winning performance,
and she isn’t always reminded that paparazzi always follow
her and her husband, cameraman Daniel Moder, after their one-year
marriage.
“Life
isn’t so crazy, really, I try to be indifferent to it,”
Roberts says. “Being famous is not something one does.”
Nevertheless, the 36-year-old actress is at the top of her game,
constantly listed in the “Most Beautiful” and “Most
Powerful” lists of Hollywood heavyweights. Dressed for an
interview in a sheer white shirt and tan slacks — with a lot
of tissues handy — Roberts looks glamorous despite her cold.
It’s tough to imagine this superstar comparing holiday turkey
recipes with fellow Oscar winner Marcia Gay Harden.
Although
it seems the film is about feminism, Roberts sees it as a reminder
that women didn’t always have such freedom. “It makes
me appreciate women before me who fought for the situation that
allowed me the opportunities I have now.” She says she has
had great teachers, but points out, “It’s not just great
teachers that shape your life but the absence of great teachers,
sometimes being ignored is just as good as just being lauded.”
The
movie managed to hang on to the top five and was well accepted at
a time when the hype about The Last Samurai and the seasons mega
hit the final episode of the Rings trilogy ‘The return of
the King’ was released. Mona Lisa Smile is the more classic
type of movie with a deep running essence portraying the hidden
aspects of the docile ideology women in a time of so called progress.
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