Prasannajith’s
impressive role in America
By Susitha R. Fernando
‘Dukgannarala’
(The Bearer of Woe) the maiden theatre production of young dramatist
and actor Prasannajith Abeysuriya received rave reviews when it
went on board as the first American production of a Sri Lankan play
in New Jersey.
The
production was by a group of students from the Theatre Arts Department
the Drew University. These students selected Prasannajith’s
play for its dramatic techniques in style. The play was translated
by Prof. Ranjani Obeysekere, a lecturer at Princeton University,
New York including it in her ‘Sri Lankan Theatre in a time
of terror’.
Although
Prasannajith was invited for the Priemere he was unable to be present
due to financial difficulties he faced when it was staged at the
university in November 2002 and April 2003. Third time he was lucky
when the Samurdhi Ministry helped him to get a ticket and the students
sponsored his stay.
All
this was a twist of fate for amateur playwright Prasannajith. Although
plays like ‘Sinhabahu’, ‘Pemathi Jayathi Soko’,
‘Kuveni’ and ‘Gajaman Puwatha’ were translated
and Sri Lankan producers had to go abroad to direct them. Prasannajith
said, “this play was a full foreign production making my task
easy in reaching a wide audience with ‘Dukgannarala’”.
Prasannajith’s
play was initially staged in 1989. It won six awards at the Youth
Drama Festival for the Best Actress, the Script, Best Costumes and
Best Production (runners up) including two merit awards. Later it
won awards for the Best Actress and Best Script at the Stage Drama
Festival held in 1989.
As
a schoolboy he won the award for the Best Actor at the interschool
drama festival in 1976 for the leading role in ‘Midiwatta’
written by him when he was in Grade 8 at Kotikawatte Rajasinghe
Vidyalaya.
Starting
in 1980 he proceeded to act in plays by some of the best loved dramatists
like Ediriweera Sarachchandra, Henry Jayasena, Somalatha Subasinghe,
Ranjith Dharmakeerthi, R. R. Samarakoon, K. B. Herath, Parakrama
Niriella and Jayalath Manoratne.
Having
imbibed many aspects of culture and literature through his grandfather
who was a respected ‘Yakadura’ in his village Prasannajith
did his best to repeal the dramatic quality and the powerful style
he observed in his grandfather’s work.
Prasannajith
is positive that his grandfather’s influence has played a
major role in his writings as a dramatist. He was also influenced
by the plays staged at the John De Silva Theatre (then an open theatre)
which he was able to view while at the canteen being managed by
his sister.
Later
he got the opportunity of being a prompter in Sirithunga Perera’s
play ‘Gamane Yalu’ staged in 1976. Giving up a well-paid
job in a garment factory he joined the ‘Veedi Natya Kandayama’
(Street Drama group) led by Gamini Haththetuwagamage in 1980.
And
thus Prasannajith began his trek with the company for 20 years.
He formed his own street drama group “Pawura” and is
available for shows on request. By helping to preserve the culture
of street plays Prasannajith is doing a great service which needs
to be appreciated and also encouraged.
In
addition to being a dramatist and playwright Prasannajith is a popular
actor known to many as Bathiya, the journalist in the popular teledramas
‘Tharupaba’ or Damayantha, the dancing teacher in ‘Suriya
Daruwo’.
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