Real
‘Passion of Christ’ on screen
By Harinda Vidanage
It is one of the most controversial movies ever made, it has brought
out a whole new debate on life of Jesus, and direction credit of
the movie goes to a great action hero whose capacity of movie making
is on par with his performance on screen.
Mel
Gibson from Brave Heart to Patriot he has become the force behind
this Hollywood Blockbuster The Passion of Christ. Hugely criticized
by Jewish groups for anti Semitism, while civil society pressured
on the case of extreme violence, still The Passion successfully
broke all records that were set by movies in the calibre of Lord
of the Rings. The Passion of Christ depicts the last twelve hours
of Jesus.
Gibsons
team successfully created the environment of ancient Jerusalem,
and the arid surrounding Judean desert, in Christ’s time.
They scouted from Morocco and Tunisia to New Mexico and Spain but
the logistics of moving from one place to another also essential
to the visual style of The Passion of The Christ .
It
is the work of renowned cinematographer and four-time Oscar nominee
Caleb Deschanel. Deschanel, who previously collaborated with Mel
Gibson on The Patriot. After spending long hours with the director
discussing his vision for the film, looking to the canvases of Caravaggio,
the groundbreaking late renaissance painter managed to get the maximum
of setting up the images of the city.
Key
to the success of this movie relies on the man who could give the
best performance as Jesus. This meant the finding of an actor capable
of embodying to the highest degree possible both the humanity and
spiritual transcendence of Jesus Christ. Gibson sought an actor
who could lose himself in the role entirely, and whose identity
would not interfere with the realism the director was seeking.
The
search led Gibson to James Caviezel, last seen in The Count of Monte
Cristo. Gibson had been riveted by a picture he had seen of Caviezel
– especially by the actor’s penetrating eyes and transparent
expressions, which Gibson felt, he had the rare ability to convey
the essence of love and compassion in utter silence.
During
the demanding production, Caviezel had to face his own physical
vulnerabilities in a profound way. In one of the film’s most
graphic sequences, Christ is scourged – or whipped –
extensively, then further flayed with an infamous Roman torture
device known as a flagrum, or “the cat o’ nine tails,”
a whip designed with multiple straps and embedded with barbed metal
tips to catch and shred the skin and cause considerable blood loss.
To
capture Christ’s resulting wounds, Caviezel had to undergo
gruelling, full-body makeup sessions that lasted for hours. But
that was just the beginning of his trials, for the irritating makeup
soon caused his skin to blister, preventing him from even sleeping
during this time.
He
also spent more than two weeks filming the crucifixion scenes, during
which he had to carry, or more often drag under great duress, a
150-pound cross (about the half the weight of a real crucifixion
cross) to Golgotha, and later to be suspended from it. Caviezel
trained for the tortuous positions he would have to stand in by
holding squats against a wall for up to ten minutes at a time and
lifting weights to strengthen his lower back. In addition, he spent
these weeks working in a loin cloth in the middle of the Italian
winter, and experienced several bouts with hypothermia, often becoming
so cold he could no longer speak.
At
times, the crew had to put heat packs on Caviezel’s frozen
face just to warm up his lips enough to move. Gibsons found the
best person to play Mary, the mother of Jesus. He went farther a
field, choosing Maia Morgenstern, a renowned Romanian actress of
Jewish descent.
Gibson
had viewed Morgenstern in a decade-old European movie and upon seeing
the tenderness in her face, immediately thought of her for the role.
With little else to go on, he set out on a quest to meet her, discovering
she is considered one of the greatest actresses of her generation
in her country.
Also
immersing herself into the life of a woman beloved through the centuries
is international film star Monica Bellucci who portrays Mary Magdalene.
When Bellucci heard that Mel Gibson was making a film about The
Passion, she was so intrigued by it, she immediately pursued him.
“I
thought it was such a strong and courageous project to take on”,
she explains. “I knew it would not be an easy movie, but it
is also the kind of movie that you know audiences are going to think
about for a long time afterwards. This is what drew my interest”.
The
dark character of the movie is none other than the eternal enemy
of the human race taking on this iconic role is Italian actress
Rosalinda Celantano who portrays the film’s Satan, depicted
as an androgynous figure who can shape-shift into many forms, spreading
fear and doubt.
The
actress’ eyebrows were shaved to create a more hypnotic stare
and she was shot in slow-motion to add a further sense of unnaturalness
to her portrait. Later, her voice was dubbed with that of a male
actor to increase the aura of confusion that surrounds Satan.
“The
Passion” taken from the Latin for suffering, but also means
a profound and transcendent love. The Passion of Christ is must
for all irrespective of what ones religion is this is a masterpiece
of highest class.
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