French
New Wave changed world cinema
The French Embassy has organised a series of workshops on the ‘French
New Wave’ for film enthusiasts and serious students of cinema
from May 2 to 8 at the Sri Lanka Television Training Institute (SLTTI)
from 2.30 pm onwards.
The
workshop is about the genre that includes the films somewhere between
1955and 1959 which evolved a distinctive theatrical and highly self
conscious approach to film culture. The workshop was based on the
discussion pertaining to films made during this period. The subject
for discussion on the opening day and the film shown was Jean-Luc
Godard’s “Breathless”.
The
first of these series was started when Mr. Tissa Abeysekera as the
guest speaker spoke introducing the French New Wave cinema. Speaking
to young filmmakers and film enthusiasts on the subject one of the
turning points in the history and the evolution of the cinema as
seen in Jean-Luc Godard’s “Breathless” Mr. Abeysekera
said there is a common factor that is seen in the French New Wave
and Sri Lankan society. It is that if the senseless, feverish activity
going in search of identity.
Analysing
French New Wave Mr. Abeysekera said it was possible for us to take
real life incidents and situations to produce innovative film images
that depict instantaneous gratification that the youth seek. This
quick fix method is the reality of society and as such it creates
empathy with the film audience who seek to live intimately with
the characters in the film.
There
is no substitute for the way he treats life chances and his films
also reflect the deep and genuine love for cinema and deep love
for life itself. The influence of French New Wave in Sri Lanka was
felt when the then young filmmakers like Dharmasena Pathiraja produced
“Paradige” a film which depicts youth unrest in search
of identity in society. Such films were produced also due to the
ambience that was prevalent in the 1960s and 1970s. The period of
pre-uprising 1970’s was the influence.
Evaluating
on the changes that took place in Sri Lankan society and of contemporary
Sri Lanka, the restlessness of the youth during the period pre-uprising
1971 which burst into a revolution was the reflection of French
New Wave cinema in the local context.
We
admire these films even after nearly five decades and we can still
discuss these films for so many years to come” Tissa said
at length.
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