It
was 'Harmony' all the way
Like father, like son, they say. Just as much as Warakagoda senior
- Wijeratne continues to make his presence felt, particularly on
the small screen, Warakagoda junior - Jananath is fast establishing
himself as a fine performer. In 'Harmony', the multi-cultural concert
held last week, Jananath did a superb job in presenting and coordinating
an item titled 'Across the Barrier' where, as the programme note
indicated, Sri Lankan folk music and all classical music styles
were explored in a melodious concept.
Jananath
opened the item reciting a 'pel kavi', the traditional folk song
sung by the farmer while spending the night in a lonely field to
be heard by a another distant farmer who would then respond. He
then invited T.S. Murugesh and Mohamed Irfan to present folk songs
popular in their own communities. The folk music gave way to classical
singing - Carnatic and Hindusthan - which gradually gave way to
demonstrate the western influence by which time Jananath himself
had taken over the western drums. It was a highly entertaining mix
with the artistic director of 'Harmony', Arunthathy SriRanganathan
herself making, what I presume, was a rare appearance on stage these
days.
Her
talents are well known and sitting through the programme, I was
reminded of the days we worked together in presenting 'Savasangeetha'
based on a concept conceived by the late H.W. Jayewardene when he
was heading the Sri Lanka Foundation Institute Board. It was possibly
the first attempt to promote communal harmony using music as the
platform. Twenty years ago, it was a novel concept and Arunthathy
certainly played a key role in helping to make it a success. It's
nice to see her continuing to use her talents to provide superlative
entertainment while promoting communal harmony.
"Artistic
and cultural work is probably one of the best ways to create identification,
recognition, mutual respect and understanding among people. The
ultimate dialogue and building of cultural bridges consist of creating
something together - the feeling of oneness," she said in a
message to the concert.
House
full
It was house full, at the Bishop's College auditorium that evening.
Many had braved the inclement weather and thought it would be worthwhile
coming over. They were certainly not disappointed. And many of them
were not the usual audience at a show at Bishop's or Ladies College
hall. They were ordinary folk who wanted to get a taste of the rich
musical talent we have in Sri Lanka representing all communities.
Just
as much as the maestros Ravibandu, Piyasara, Channa, Nesan and others
joined to make the evening a grand success, the young performers
were excellent in their dancing. 'Sneha' - a fusion of Kandyan and
Bharata styles of dancing choreographed by Ravibandu and Abirami
Kandeepan, set the pace for the evening. It was followed by 'Divine
Bliss', paying homage to Lord Ganesha choreographed by Channa and
Abirani. Both were most entertaining as were the items that followed.
Ravibandu
has mastered the fusion of drum music. His composition 'Thala Thalam'
featured some of the best in the drum scene - Prasanna Rupathilake
(thammamattam), Ajith Janashantha (low country drums), V. Jambunathan
(mridangam), S. Srikanth (thavil), R. Ratnadurai (ghatam), Nesan
Thiagarajan (western drums) and Ravibandu himself playing the 'geta
bera'. It was a fitting climax to the show.
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