Sounds
of strings in memory of Orlantha
“We have a responsibility- a responsibility to make a difference,
to be an influence, to lift someone. We are all in this together…
to reach our potential and help each other.” These were the
words of Orlantha Ambrose who set up the Strings by the Sea Foundation.
Born
and raised in the United States, Orlantha pursued her passion for
music through education, after which she dedicated her life to teaching
the violin to children of all backgrounds. She was dubbed a Los
Angeles “Hometown Hero” by the local media in 2004 in
recognition of her efforts to promote violin music.
Through Strings by the Sea, a non-profit organization devoted to
the promotion of music education for under-privileged children worldwide,
she taught music to over eighty children here before the tsunami
took her life.
“Heartstrings”,
an Island Christmas Tsunami Memorial Concert will be held on December
21 at the Bishop’s College Auditorium, Colombo in memory of
Orlantha and her love for music. This memorial concert will focus
on the theme of making music in schools available to children of
all socio- economic backgrounds.
During
the concert, a series of narrations that will tell the story of
the “sound” made by each string will be read, after
each of which a child or a special guest will perform musical selections.
The proceeds of this event will go towards the construction of the
Performing Arts Centre, to replace the Strings by the Sea building,
which was destroyed in the tsunami. Sr. Anton Ambrose and Mr. Cezhan
Ambrose plan to continue Orlantha’s work through the expansion
of Strings by the Sea in Los Angeles and Sri Lanka.
Christmas
joy
Carol Service at St. Michael & All Angels, Polwatte,Colombo
3
The carol service by the Choir of St. Michael and All Angels, Polwatte,
will be held on Christmas Eve, Saturday, December 24 at 6 p.m. The
service will commence with the singing of the processional hymn
“Once in Royal David’s City”.
There
will be seven readings consisting of Christmas poems by Longfellow
and T.S. Eliot among others, and the recitative “And there
were Shepherds” by Walford Davies. The concluding lesson will
be St. John’s unfolding of the great mystery of the incarnation.
Carols
sung by the choir will be interspersed with popular carols for choir
and congregation. The service will conclude with the recessional
hymn “O Come All Ye Faithful” with the blessing of the
crib and the offering of gifts by the children.The pipe organ will
be in use for the 83rd year.
Scot’s
Kirk
“Christmas in Song” on December 21 at 7 p.m. at Scot’s
Kirk is a service which will bring out the spirit of Christmas not
only with traditional carols but also with songs.
The
choir of the Merry-An Singers with David Ratnanayagam at the organ
will be in attendance and Rev. John Purves will be the Minister.The
service will be followed by a choral finale for the listening pleasure
of those who wish to stay on.
Little
but full of life
By Smriti Daniel
The golden wire horse perches delicately on the balcony, glinting
in the sun. With its clean flowing lines and glowing elegance, it
is a work of art, almost ethereal in its appeal. In quick succession,
the others are also displayed for us. A war elephant carrying a
mahout and his weapons and heavily laden with red and gold; an aeroplane;
a group of warriors and their horses, all have their moment in the
sun.
It
is then that I notice something - it is hard to look away from Tissa
De Alwis’s work, not least because each one seems so vibrantly
alive. All of his creations possess such intricate detail and character
that as you stare at them, you would not be surprised to find a
model’s mouth tilt up in a smile or a white warhorse take
a purposeful step forward.
Born
in 1956 in Pita Kotte, Tissa is a very active 50-year-old.. A potter,
ceramicist and modeller, Tissa is a genuinely talented artist. He
attributes much of his current skill to simple experience. “I
first got my hands on clay or to be more accurate, plasticine, in
nursery school when I was about four or five years old,” he
says adding that that moment marked what was to be the beginning
of a lifelong passion. Later in his life, he became an assistant
modeller and then modeller for the Ceylon Ceramic Corporation. At
that time, the corporation was flourishing, in large part due to
its ownership of numerous kilns.
“I
loved working there,” says Tissa, explaining how he would
use his spare time to fashion his own clay models and then ‘fire’
them in the kiln. It was when a superior saw his work that the corporation
was inspired to have a separate ‘studio pottery’ section.
Tissa and many other employees got together to create 350 pieces,
which sold out in two weeks, and after that, there was no looking
back. After a while he chose to become a freelancer, a choice that
comes with its own share of struggles and triumphs. Among the highs
have been his exhibitions in places as varied as Amsterdam, Japan,
Australia and Sri Lanka itself; followed by both local and international
acclaim.
Another
obvious pleasure has been his complete creative autonomy. Tissa
has, over the years, developed quite a reputation over his military
models, which are known for their realistic detail. Miniature sets
of soldiers, airplanes and other models made of plasticine grace
his studio. Many serious artists would think twice before using
plasticine, normally the plaything of toddlers, but Tissa explains
that his fascination lies with how one can “mix colours here
and now, like with painting, rather than having to do it in stages,
and also the fact that you can use plasticine to juxtapose two or
more objects to make a new picture”.
Tissa
says that he derives much of his knowledge from extensive reading
and film viewing, but adds that his military models are in no way
meant to be a “glorification of war” and that they are
instead, quite the opposite. Using his models, he reduces these
weapons of destruction and terror to absurd toys – small,
simple things that give pleasure. Strongly opposed to exorbitant
“defence” budgets, Tissa not only believes, like many
others, that the money could be better spent, but also chooses to
express that in his art.
Recently,
in an exhibition titled “The Curry Side of the Moon”
held at the Barefoot café, Tissa along with Muhammed Cader,
Ieuan Weinman, Kerry Hughes and Monty Colombage displayed his work.
Tissa’s exhibits comprised not only some of his somewhat eccentric
mobiles (dinosaurs made with odds and ends), but also photographs
of his models.
Tissa
is also deeply involved in another passion – teaching. For
the last year he has been working with the students of The British
School in Colombo, having moved from being an ‘artist in residence’
to being an actual art teacher for the juniors. “I love working
with children. I like to give them ideas and then let them explore,”
he says. He believes in the potential children possess, claiming
that on their first time, many children make clay models that rival
and perhaps, better his.
A musical
treat for young ones
Play House - Kotte presents a two-day Festival of Theatre for young
audiences on December 22 and 23 at the Elphinstone Theatre in collaboration
with HNB Assurance Ltd.
"The
child is a special person," says Somalatha Subasinghe, veteran
playwright and founder of Lanka Children's and Youth Theatre Organization
(LCYTO). The LCYTO founded in 1981, is the only professional institution
that produces plays for the younger generation with this aim in
mind.
On
December 22, two shows Punchi Apata Den Therei (We Know It Now)
and Toppi Velenda (Hat Seller) written and directed by Somalatha
will go on the boards at 3.30 p.m. and 7 p.m. The latest LCYTO theatre
production Walas Pawula (Three Bears and Goldilocks) written by
Somalatha and directed by Dr. Chandana Aluthge, will be staged on
December 23 also at the same times.
These
plays are adaptations of folk tales and fairy tales. All musicals,
full of songs, dance, acrobatics, fun and frolic, they communicate
many valuable lessons to the child. The professional theatre group
of LCYTO handles all aspects of the productions, ranging from acting,
choreography, lighting to stage management etc.
A number
of LCYTO plays have gained international recognition. In 1989, Punchi
Apata Den Therei and Toppi Velenda were staged at the Theatre of
Young World in Leipzig, Germany with German actors taking part. |