Screaming
novelty
By Tharangani Perera and Vidushi Seneviratne
Suresh De Silva. Tennyson Napoleon (Tenny). Andrew Obeyesekere.
Ranil Senerath. Vije Dhas. The stalwarts of the sphere of Sri Lankan
heavy metal. Together, they continue to reverberate their epic message
under the brand Stigmata.
So,
is sex, drugs, and rock ‘n’ roll what it took to reach
the pinnacle of rock? On the contrary, their journey so far has
been an all-encompassing experience, complete with rewards. “We
don’t like to be stuck within a certain paradigm,” said
Suresh, adding that their music is a combination of death metal,
speed, progressive metal and thrash metal. They combine a heavy
eastern sound, which speaks of their Sri Lankan heritage, and classical
and blues influence, with these musical elements. “After all,
we are Sri Lankan and not afraid to admit it,” he said. “Sometimes
it’s difficult to fuse these musical elements together,”
said Tenny, explaining that bringing together such hybrid elements
involves hard work and originality.
The
music of Stigmata is based on various themes with powerful messages,
which gives rise to an epic melody. Each song has a deep meaning,
and is a progression of a different mood or nuance. Even though
these musical creations are a product of the incorporation of various
elements of music with rock music, they do not sound disjointed.
“One word to describe our music would be progressive,”
says Suresh, summing up their work.
The
five recall their debut CD launch of the album ‘Hollow Dreams’
as one of their most unforgettable experiences. ‘Hollow Dreams’
was a prodigious musical marvel that proved to be a sensation among
the Sri Lankan rock music audience. Over 7000 copies of the album
were sold in the country. Their new album, ‘Silent Chaos Serpentine,’
promises to be richer in potency and meaning. “‘Silent
Chaos Serpentine’ consists of 8 songs, each of which speaks
of a different theme and each similar to a chapter of a book, whereas
‘Hollow Dreams’ was a concept album,” said Suresh,
adding that ‘Hollow Dreams’ spoke of how to break away
from social norms and how not to conform, whereas ‘Silent
Chaos Serpentine’ addresses current social issues.
“The
core of each song in their new album is brutal, intense and diverse,”
said Suresh. Throughout the composition of songs for the album,
each member of the band kept the rest motivated by impelling them
to work harder. The chemistry shared by the five perfected the production
process, which successfully gave birth to one of the matchless creations
in the history of Sri Lankan rock music. “We’re satisfied
with the album, because we feel that each of the songs is able to
stand on its own,” said Andrew.
Another
highlight in the musical journey of Stigmata was their song “Lucid”
being placed on the top 300 hit list of the American rock music
website www.garageband.com. “Lucid” includes a heavy
percussion contribution by Jananath Warakagoda, and is one of Stigmata’s
most unique creations. In this line of achievements, the underground
rock website www.rockdetector.com named Stigmata as the seventieth
best band in the top 150 underground rock and metal bands in the
world.
“In
addition to these achievements, we have had a lot of open air shows
where we’ve entertained audiences ranging from 300 to 5000
fans,” said Suresh, adding that their biggest open air show
has had a participation of 4000-5000 fans in Sri Lanka. “We
have had our share of airtime on local radio charts as well,”
he added further.
Off
‘Hollow Dreams,’ Stigmata’s songs “Thicker
Than Blood” and “The Dying Winter Sleeps” were
composed for the local stage play Thicker Than Blood by Delon Weerasinghe,
for which Stigmata provided the soundtrack.
Through
time, Stigmata has gained the devotion of many rock music enthusiasts
by pure originality. Despite being buried under the influence of
the narrow music industry of Sri Lanka, the five-some voyage along,
powered by their love for music and creativity. Along the path of
their evolution from a regular heavy metal band to their present
perfected state, they have achieved a degree of finesse, which is
embedded in their melodious intensity. There’s depth
to Stigmata’s music that seems to come from deep within its
core, which can be dark, and yet screams of novelty.
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