WAR
on WAR
Armed with a camera, world renowned
photojournalist, Reza Deghati captures the hearts and minds of his
audience by exposing the human suffering of war
By
Smriti Daniel
The
man who sits before me has the reputation of being one of the finest
photojournalists in the world. To say he's travelled the globe in
the four decades of his professional career, wouldn't really be
telling you the whole story. After all, he was the first and only
photographer to ride into Kabul beside Ahmad Shah Massoud, the Lion
of Panshjir, when the city was retaken from the Taliban; he's been
in refugee camps in Rwanda and Burundi, taken cover in trenches
with Afghan fighters and travelled by boat to Yemen with the late
Palestinian leader Yasser Arafat.
Reza
Deghati has not been content to stay hidden behind his camera -
a consultant to the United Nations humanitarian programme in Afghanistan,
he was awarded the Chevalier de l' Ordre du Mérite (2005)
by French President Jacques Chirac and is the founder and president
of the NGO Aina. Today he is in Colombo again on a mission.
A vital
and energetic 53, Reza has an inexhaustible faith in humanity and
in an individual's ability to make a difference for the better.
“There is a saying in Persian,” he remarks, “all
the darkness of the world cannot overcome the light of a single
candle.”
Reza
has spent nearly 40 years in the globe’s hotspots –
going from disaster to war zone – always taking pictures that
have captured the hearts and minds of his audience. This is his
way of declaring war on war.
Born
in 1952 in Tabriz, in north-eastern Iran, Reza got his first camera
when he was 14 years old. He laughingly admits that the images he
took consoled him for his inability to paint. He was 22 when his
“subversive” photographs, which threw light on the more
unsavoury aspects of the Shah’s regime, had him thrown into
prison. “I was put in prison for three years. I was tortured
for five months—they were trying to find out if I belonged
to a conspiracy.” A metal bucket was put over his head so
that all he could hear were his own agonized screams amplified.
Reza did not break. Remembering that terrible time he says quietly,
“torture is the worst thing that one human can do to another.”
It was three years before he was released from prison.
Surprisingly,
far from being weakened, his resolve to expose social injustice
was stronger. His life as a professional photojournalist started
in 1978 when he covered the Iranian revolution for the Agence France-Press
(AFP) and the Newsweek magazine. He then became a Middle East correspondent
for Time from 1983 to 1988. Since then his pictures have appeared
in newspapers and magazines all over the world, including Vanity
Fair and the New York Times Magazine.
Reza
is amongst the select few to have photo assignments published in
the world renowned National Geographic Magazine, (he has made the
cover 14 times since he began working for the magazine in 1993).
He has also contributed to a number of books, is a regular correspondent
for BBC Persian and Radio France Internationale Persian.
Having
been deep in war zones all over the world – such as Afghanistan,
Beirut, Philippines, Tunisia, Kenya, South Africa, Iraq, Lebanon
and Kosovo – Reza says that he has come face to face with
the beast that resides in every human being. And yet his life seems
dedicated to helping those around him. “How can I not see
the beauty in man…in life?” he asks, “I believe
in it.” He explains that humanity’s civilization is
still young and that it is our almost primitive attitudes and actions
that result in so much cruelty.
Reza
who has a loving family in Paris, is home only for three months
of the year. How can he bear to be away from his wife and children?
He
answers the question with a little story: “Just say you were
to see a child hurt and crying loudly on the street, those around
would instantly respond by going to see what was wrong…it
is the same for me, whether it is happening on my doorstep or in
a country thousands of miles away I feel compelled to go and help
in any way that I can…if I didn’t, I would not be ashamed,”
he says, struggling for words, “it would just be there on
my conscience.”
Sometimes
helping in any way he can has demanded some innovation. For instance,
during the massacres in Rwanda and Burundi numerous families lost
track of their children, with almost 10,000 children separated from
their parents. “When 2 million people start running,”
he says, “who can keep eight children together?” Together
with UNICEF and Red Cross, Reza organised a “photo exhibition”
in all five refugee camps.
A tent
was put up and 10,000 pictures were displayed and people encouraged
to try and spot their children. This was much harder than it sounds
as many of the refugees had never seen a picture before. Nevertheless,
3,500 boys and girls went home. Reza can still remember the joy
on the faces of the reunited families. “Little by little,
I found out that the real victims of war are the children. They
are so innocent that they don’t understand why this is happening
to them—why they are losing their homes and their families,
why they don’t have anything to eat.”
Reza’s
next destination is Kashmir, where he will be meeting victims of
the recent earthquake. While his aim is to take photographs that
will stir the hearts and minds of the international community, Reza
is there simply because he needs to be…simply because he believes
he can make a difference..
Reza’s
mission to help children
Reza’s desire to help children led him to found the NGO Aina
(a word meaning “mirror”), which is very active in Afghanistan
and which he hopes will build a presence in Sri Lanka as well. This
year will see the production of a magazine for children (in Sinhala,
Tamil and English) to open children’s eyes to the wonder of
the world and also to the beauty of the cultures and peoples within
their country.
He
explains media and communication play a key role in helping people
feel empowered and liberated. Aina has not only trained numerous
individuals, it also aims to provide them with top of the range
equipment and training, thereby putting them on an even standing
with western professionals. Case in point is the production “No
More Tears, Sister”- the first documentary to be made by Afghan
women which was nominated for an Emmy award. |