Peoples and Events
Light a lamp with us
President's Fund: beacon for the poor
A delightful and delirious evening -
Review
A rare concert; more please
Art Exhibition and Competition
Light a lamp with us
Light a lamp with us, is the appeal of the Association for Families of
Servicemen Missing in Action (AFSMIA) as they call on the public to join
them in an "Iti Pahan Pooja" today (February 21), at 7.30 p.m.
As the tiny flames try to dispel the darkness, the hope of the association
is the safe and speedy return of those missing in action. The pooja is
also to remember and honour those who have sacrificed their lives, to show
appreciation to the disabled for the sacrifices they have made and for
peace.
Gathering together with family and neighbours or joining others at a
common venue, in 10 minutes of prayer, is a powerful plea for peace. AFSMIA
appeals to all Sri Lankans to join them in making this a success. In Colombo,
a gathering has been organised in front of the Town Hall.
Those who have not purchased their lamps could do so at the venue, by
coming in a few minutes early. They are also available at 52/1, Rosmead
Place, Colombo 7, 47/1, C.W.W. Kannangara Mawatha, Colombo 7, 340, Park
Road, Colombo 5, Arpico Showrooms, Titus Stores and Food City.
President's Fund: beacon for the poor
By Roshan Peiris
It is heartbreaking to read appeals from sick people who cannot find the
money for treatment. The worst of it is that most of them happen to be
children, suffering from different kinds of heart disease.
Adults request for help to take treatment abroad for kidney transplants
and the like. Appeals are made to compassionate people to donate generously
as often the sum needed is as high as four to five lakhs.
Recently many have asked just how one can get money from what is called
the President's Fund. This humane project was initiated by the late President
J.R. Jayewardene by means of the President's Fund Act, said Bradman Weerakoon
who as a senior civil servant served five Prime Ministers before retirement.
The late President Jayewardene felt that poor people should not feel
neglected and hopeless with no future just because they had no money for
treatment.
Anyone who feels that he/she or a child must be taken abroad as the
only single hope of a cure could apply to the President's Fund.
A form which is available at the President's office or Secretariat has
to be filled and returned to the President's Office.
After that Mr. Weerakoon said, "there is a routine to be followed."
A copy of the form is sent to the Area Representative or to the Divisional
Health Office or the Government Agent of the area of the applicant's home.
Meanwhile another copy is sent to the Secretary of the Ministry of Health.
The Area Representative would verify the statements made in the form.
The Health Ministry would report whether the patient has to be taken abroad
for treatment and whether it could not be done locally.
The Health Ministry has to send a certificate about the medical aspects
of the treatment and testify to the veracity or otherwise of the medical
certificate attached to the application form by the person needing treatment.
In the case of minors the parents have to sign and account for the certificate.
Once all these details have been checked out and found accurate, the President
would approve the release of funds for treatment amounting to as much as
Rs. four to five lakhs. Mr. Weerakoon also specified that the person who
takes treatment abroad has to provide receipts of the expenditure in detail.
Review
A delightful and delirious evening
It was a tour de force as a concert performance by two of the most outstanding
maestros on the Indian classical music scene. The older of the two was
Pandit Hariprasad Chaurasia (60), India's foremost flautist on his first
visit to Sri Lanka and Ustad Zakir Hussain, the virtuoso tabla master on
his second visit following his 1997 visit when he swept tabla aficionados
off their feet with his wonderfully vibrant expositions.
This time around the two combined to treat a packed audience at the
BMICH to what will be for many who were fortunate to hear them perform
last Saturday, an unforgettable experience indeed.
When the artistes trooped in with their supporting cast of two lady
thampura players and Pandit Chaurasia's nephew Rakeesh whom he said was
more son than nephew to him - as supporting flautist, the entire atmosphere
changed. All that waiting was forgotten and there was a prescience of things
beautiful to follow.
Pandit Chaurasia introducing his team said one of the thampura players
was a local girl, the other Susumeetha, an Indian whom he said, was also
an accomplished flautist.
"But I won't ask her to play today because you will then only be listening
to her and not to me!" he said, drawing laughter from the audience and
creating an immediate rapport with them which lasted throughout the concert.
Next saying today (Saturday) being a special day - Zakir Hussain prompting
him and signalling a V for Valentine- he said he would begin the night's
concert with an evening raga creating a tranquil and romantic mood. Zakir
Hussain speaking briefly called himself humbly an accompanist to Pandit
Chaurasia whose playing on the long bamboo flute was surpassed by none
in the whole world.
Then followed a musical feast whose savour was bound to last a long
time into the night and for days later whenever one recalls the perfect
control and fluency of the magical sounds of the flute blown by the Pandit
with Rakeesh supporting and even taking over from time to time, blending
harmoniously and rhythmically along with the thampuras monotonously humming
in the background like a gentle wind. After this it was all trance and
delight to those like me, but doubly so for those who were into a knowledge
of the intricacies of Indian classical music. As Ustad Zakir Hussain gets
going at top speed he fits more perfectly controlled notes into the beat
than is humanly possible. No wonder he has been described as a musician
of terrifying, Paganinesque virtuosity. One soon realizes that he is much
more than the mere accompanist he claimed to be.
To end Pandit Chaurasia and Ustad Zakir Hussain moved into a folk raga
and so concluded a delightful and delirious evening for all that day, a
never to be forgotten one.
Ustad Zakir Hussian thanking the audience said Pandit whose name begins
with a Hari after the legendary Hari Krishna the god who had a host of
16,000 lady admirers was still on offer. And on that jolly note we parted
company with the maestros and their companions whom we hope we will be
able to see and hear again
-Hussein P. Saibo
A rare concert; more please
Musical treat to mark Golden Jubilee
of Independence
A gala concert at the Russian Centre organized by Ms. Olga de Livera
to commemorate the 50th anniversary of Independence in Sri Lanka was held
recently.
This was sponsored by Motorola for the Cultural Ministry under the patronage
of the Cultural Minister and Ms Lakshman Jayakody.
The programme commenced with young Serala Athulathmudali singing Danno
Budunge accompanied by Mano Chanmugam and three fellow artistes, on two
pianos.
This was a reflective rendering, which brought the concert into focus.
This was followed by three well known artistes, Ramya de Livera - piano,
Ananda Dabare - violin, Dushyanthy Perera - cello perform in Chopin's Piano
Trio (1st Movement).
Next was a vocal item - the Flower Duet from 'Lakme' by two sopranos,
Menaka de Fonseka Sahahandu and Tharanga Gunatilake. There was a refreshing
change when a young boy Randika Gunawardene performed Yanni's Acroyali.
He was able to vary the tone to make the piano sound orchestrated, very
convincingly. A well controlled ensemble played the 1st Movement from the
Quintet in C Minor Op. 32 by Luis Spohr. Lalanath de Silva- flute, Ananda
Premasiri- Clarinet, Manilal Weerakoon - French Horn, Nalaka Perera-Bassoon
and Gayathri Attiken - piano displayed the variety of tonal shading on
wind instruments blending with the piano.
Two young pianists Sonia Wickremasinghe and Kamalini Samarakoon performed
the Norwegian Dance duet by Grieg which was delightfully phrased bringing
in an element of folk song dance.
Mano Channmugam not only showed his spontaneity by compering, but, by
playing Dilhani and Mangala Motha with Neomal de Alwis, Yohan
de Alwis, Pradeep Seneviratne on two pianos improvising naturally in the
Western idiom.
The Merry-An Singers dressed in their cloaks of red and white gave a
superb lift to the programme when they burst out in the part- singing the
'Saints go marching in'. Mignone Fernando joined in next to sing her own
composition 'proud to be Sri Lankan.'
This was for me a nostalgic moment bringing tears to my eyes. Her personality
on stage was unique warm and sincere. Another two piano arrangements of
Brazilian works was enjoyed by the audience.
Later Niranjan de Silva on organ and Soundarie David on piano improvised
on popular themes–Fusion Condition . This was a treat which no doubt the
audience enjoyed.
The final item Blue Danube conducted by Dayananda Fernando with a 30
member orchestra and an organ played by Shyama Perera showed very clearly
the versatility and skill of our musicians.
I must mention especially the compere whoe entertained all at the show
with his natural flow of witty comments.
A concert of this calibre is so rare that a repeat would be appreciated.-Shantilal
Silva
Competitions
Art Exhibition and Competition
The Institute for the Intellectual Development of Children and Young Adults,
affiliated to the Cultural and Art Creative Centre, Tehran, Islamic Republic
of Iran, is conducting an International Children and Young Adults Art Exhibition
and Competition and invites children between 4 and 15 years to participate
at the competition.
The closing date for entries is March 11, 1999.
The aim of the competition is to encourage art among children and to
make them more acquainted with their own culture and tradition.
The contest is open to children born between 1983 and 1994. The contests
will be in three age groups -
(a) 04-06 years
(b) 07-11 years
(c) 12-15 years
The contestants are free to select the size and the subject. The work
has to be original work and only one entry will be entertained.
The use of any technique and material is permitted. The works should
have been completed between 1997 and1998. Entries which have already been
displayed at other exhibitions or competitions will not be accepted.
The entries will not be returned. The entries should include the following
information, on the reverse.
Full Name, Age, Sex, Nationality, Title of the work, Full Address.
Outstanding works will receive special prizes, Gold, Silver, Bronze,
medals will be awarded to the 1st three winners, respectively and selected
works will receive honorary diplomas. |