• Last Update 2026-03-16 20:00:00

The Man Who Waits for Iran

Opinion

By Ruben Thurairajah

Exiled Iranian Prince Reza Pahlavi appears in Western television studios these days, speaking with the calm assurance of a man who believes history will require him. He condemns the Iranian government, praises Israeli and American bombings, and presents himself as the acceptable face of a future Iran. In some official circles he is even spoken of as a possible transitional figure if and when the Islamic Republic collapses under the weight of war.

It is an intriguing role for a 65 year old man who has not lived in Iran for nearly half a century.

In the current conflict between Iran, Israel and the United States, Pahlavi has become something of a political instrument—useful to those who wish to imagine that regime change in Iran might have a recognisable successor. His voice offers reassurance: that the fall of the clerical state would not lead to chaos but to a modern, pro-Western Iran. But the story of exile politics is rarely so tidy.

The Man Waiting Abroad

There is always a man waiting in exile. Usually in the United States, sometimes in Britain, occasionally in France. These are the capitals where history is interpreted rather than endured.

The man abroad lives among symbols. There are folded flags from another time, portraits of fathers in uniform, books about the nation as it once imagined itself. He speaks the language of that nation, though it has acquired the careful tone of someone who has spent decades explaining his homeland to foreigners. Exile alters even the tone of voice.

Such men wait not exactly for history, but for its interruption. Regimes collapse, revolutions fatigue, foreign powers intervene. In those moments the world searches for a recognisable figure: someone who might embody continuity.

The exile steps forward then, carrying not merely a programme but a memory. Reza Pahlavi thinks he is such a man.

The Prince and His Inheritance

He is the son of Iran’s last Shah, Mohammad Reza Pahlavi, whose monarchy ended abruptly in 1979 when the Islamic Revolution drove the corrupt royal family from Tehran. The young prince suddenly found himself transformed into a refugee. Exile became his inheritance.

For decades he has lived largely in America, presenting himself as a democratic reformer. His language is modern and reassuring. He speaks about secular government, constitutional order, and human rights. It is the vocabulary of Western conferences and policy institutes.

Yet the prince’s position contains a quiet contradiction. Behind the language of democracy stands the memory of monarchy. His inheritance is not merely the crown his father wore but the idea that Iran once possessed a unity that could be restored.

Exile often transforms private loss into historical purpose.

War and the Return of Old Fantasies

The present war has revived an old fantasy in certain Western circles: that the Islamic Republic might finally collapse.

Air strikes, missile exchanges and escalating retaliation have turned the region into a landscape of tension. Oil markets tremble. Such conflicts always produce political speculation. If the regime in Tehran weakens, who might replace it?

At moments like this the exiles reappear.

The Theatre of Exile Politics

Exile politics has its rituals. Conferences are organised in Western capitals. Think tanks discuss the future of the homeland. Television interviews repeat familiar themes: freedom, democracy, reconstruction, national unity.

But exile politics also contains moments of quiet embarrassment. Recently Pahlavi became the subject of one such episode when Russian pranksters—men who have made a peculiar profession of lampooning public figures—managed to trick him into an online conversation by pretending to be European officials.

One reportedly appeared with a theatrical Hitler-style moustache. The conversation circulated quickly across the internet. The would-be leader of Iran had been speaking earnestly to pranksters.

It was not a major scandal. Yet it carried the unmistakable tone of farce that often shadows exile politics. The man who imagines himself central to a nation’s future suddenly appears as a character in someone else’s joke.

Trump’s Impatience

There is another complication for the exiled prince. Donald Trump, who currently directs American policy in the war with Iran, has never shown much interest in the romantic narratives surrounding exiled royalty. His view of politics is blunt and transactional. He speaks of power, deterrence and deals. Dynastic restoration is not part of that vocabulary.

Reports from Washington suggest that Trump has little patience for the idea of reinstalling a monarchy in Tehran. The possibility may appeal to some Iranian expatriates, but it does not appear central to American strategy.

In this environment Pahlavi occupies an ambiguous space—visible, occasionally consulted, but not essential.

The Iran That Exists

The deeper difficulty for exile politics lies inside Iran itself. The country that overthrew the Shah in 1979 has spent more than four decades constructing a political identity shaped by revolution and Shia religious tradition. The Islamic Republic built its legitimacy partly through the language of martyrdom—sacrifice, resistance and endurance against foreign enemies. Generations have grown up within that narrative.

Even Iranians who oppose the regime are shaped by it. Their protests arise from anger at repression, economic hardship and social restrictions. They demand dignity and freedom. But they are not necessarily nostalgic for monarchy.

The Persistence of Illusion

Students of modern politics recognise the pattern. Before the American invasion of Iraq in 2003, there were Iraqi exiles who moved confidently through Washington’s corridors, promising that their country would transform itself once the dictator fell.

The regime did collapse. But the Iraq that followed bore little resemblance to the one imagined in exile meetings; reality replaced nostalgia.

Reza Pahlavi’s situation contains something of the same ambiguity. He is neither villain nor conspirator. He is simply a man shaped by the fall of a dynasty and the long habits of exile. Such men inherit not only titles but expectations. They grow accustomed to the belief that history might one day reverse itself.

Yet nations rarely remain frozen in the moment of their exile. Iran has changed profoundly since 1979. Entire generations know the monarchy only as history. The prince continues to speak of return, of historical responsibility, of a democratic Iran awaiting rebirth.

But exile contains its own quiet irony.

The man who waits for history to return eventually discovers that history has moved on without him.

 

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