Moghul
heritage
By Nedra Wickremesinghe
Fashion right now is focused on ladylike dressing, the Salwar Kameez
with all its splendour standing apart from other eastern designs
as the most versatile and yet utterly feminine.
Pakistani designer
Shaiyanne Malik, held her third fashion show in Colombo, this time
at the Trans Asia Hotel last Sunday.
Her designs
of composed elegance infuse what her heart cherishes - the Muslim
heritage. Malik says that she is truly inspired by very old pieces
- architecture or even art and as she claims to be a revivalist,
her inspiration is drawn from the Moghul, Persian and Turkish era.
Her forte is
hand-embroidery and some of her bridal outfits and other designs
were made of soft fusion of fabrics, overlays studded with pearls
to accentuate the embroidery.
Malik is preparing
for her next big launch of 'Spring Collection 2002" in Karachi
next week. This collection keeping with tradition, bold and bright
in hues of burgundy, scarlet, fuschia and red is sure to be a show
stopper.
Tune
in to your voice
By Esther Williams
Anoja Weerasinghe, an icon of Sri Lankan cinema has come a long
way since her initial entry into the industry's glitzy world in
1978. Attractive as ever and undeterred by the series of unfortunate,
politically motivated events, that were intended to humiliate her
and dampen her spirit, she is back on her feet again. Her experiences
- good and bad have enriched her life and made her what she is today,
a woman with innate
strength of mind and a purpose to everything she does.
Her contribution
to the film industry is far from over. As she continues to perform
in art movies, she has taken on some excellent character roles that
have earned her the title, Shabhana Azmi of Sri Lanka. Over the
past few years, Anoja has been conducting a series of workshops
through Abhina, the Anoja Weerasinghe Academy of Performing Arts.
At this academy, she strives to teach and develop three of the abhinas
(expressions) - voice, body movement and facial expression to people
above 18.
Children are
creative, imaginative and can imitate any role, says Anoja. "It
is as they grow up that they build barriers around themselves as
they are pushed into becoming achievers, owing to various pressures
from parents, friends and society. I am trying to help them free
themselves of their inhibitions and become children again,"
she says. Towards this she works with the voice, to release its
full potential, to modulate and articulate better.
Warming to the
subject, she says that parents today have no time for children and
are forever snapping at them - don't shout, don't scream, don't
lie. In doing so, parents are curtailing their freedom of expression
which is the worst thing they can do. Children should be appreciated
for creating a story rather than be scolded for fantasising. Instances
such as these make children suppress their emotions and lose their
confidence at an early age. Violence in society could also be attributed
to this, says Anoja.
During her sessions
at the Academy, Anoja uses the techniques of the west, that she
learnt while at the London Academy for Speech and Drama and her
exposure to the international film arena. Her work with Barbara
Hausmann from the Royal Shakespeare Company, Australian Director
of the award winning movie 'Island', Paul Cox and Sue Weston, her
mentor helped her master different aspects of acting. She uses exercises
and meditation to help focus the mind and free it from tension and
depression and insists on good posture. In addition she trains voices
for better communication - to enhance interpersonal skills, to improve
self-confidence and develop a positive attitude all of which would
contribute to enhancing one's personality and discovering oneself.
Her work with
the Academy has been very satisfying and rewarding. She has helped
with speech training for several politicians, aspiring actors/actresses
of both films and teledramas, presenters and newscasters of TV stations
and others. Suitable for teachers, lawyers, politicians, mothers
with young children, housewives, etc., the workshop would make them
effective communicators, Anoja asserts.
Anoja is still
working on establishing a formal school for dancing, music and acting,
similar to Shantiniketan in Calcutta. The country needs something
like this, she says. Speaking of the film industry, Anoja says there
is a lot of talent among the new comers.
What they need
is proper training. Although support is being extended from friends
locally and internationally for building, she is yet to acquire
the necessary land.
Her greatest
joy these days is her six-month- old grandson with whom she spends
a great deal of time. "He is so small but tries to imitate
every sound I make. He responds to music and my voice," exclaims
Anoja with delight. Anoja regrets not spending enough time with
her daughter and she hopes to make up for it with her grandson.
Although her daughter has done some acting, she does not seem very
inclined to take it up, on a big scale. "My grandson, however,
is my hope - I can tell right away that he is going to be very creative,"
she says.
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