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             Classical 
              to popular favourites from Anjuli 
              A rising young star will debut with the Symphony Orchestra of Sri 
              Lanka (SOSL) next Saturday, July 27. Anjuli Gunaratne who enchanted 
              audiences with her fresh, coloratura soprano and her evident stage 
              presence winning the recent Concerto Competition for Young Soloists 
              will perform at the Ladies College hall with the SOSL. The Concerto 
              Competition was organised by the Orchestra with sponsorship by LOLC. 
              Now, in addition to a cash prize donated by the Devar Surya Sena 
              Trust and Niloufer Pieris, Anjuli has the opportunity to sing for 
              the first time with SOSL at its Young Soloists' Concert sponsored 
              by HSBC. 
               
             Anjuli will 
              sing a programme of varied music. She will begin with "He shall 
              feed his flock" from Handel's Messiah, followed by "Quando 
              men vo" also known as Musetta's Waltz from Puccini's wonderful 
              La Boheme. She will then move on to "Summertime" from 
              Gershwin's opera Porgy and Bess and conclude with "I Could 
              Have Danced All Night" from Lerner and Loewe's My Fair Lady. 
               
             Still only 
              sixteen, Anjuli is a student at Bishop's College Colombo. She studies 
              music with Mary Anne David who says she has a mature voice and remarkable 
              technique for one so young. 
               
             Manilal Weerakoon 
              will conduct Saturday's SOSL concert which opens with Beethoven's 
              dramatic Egmont Overture followed by Mozart's spirited and lyrical 
              "Haffner" Symphony No. 35. The second half will begin 
              with Tchaikovsky's Swan Lake Suite, probably the most popular ballet 
              score ever written. 
               
             The concert 
              starts at 7 p.m. at Ladies College. Lalanath de Silva will give 
              a pre-concert talk at 6.15 p.m. The box office is at Titus Stores, 
              Liberty Plaza. 
            
            Touched 
              by warmth of family love 
              Khubi Kuchi Khabi Gham-(A tear for happiness, happiness for a tear)at 
              the Liberty. Reviewed by Sirohmi Gunesekera  
               
             In a changing 
              and uncertain world, what is it that lasts? The bonds between human 
              beings, forged over the years. It could be between family members 
              or it could be between friends. The much misused world 'love', covers 
              it all.  
               
             This Hindi 
              film with English subtitles is propagandist. The stars of the Hindi 
              screen (No, I will not use the patronsing term Bollywood), both 
              past and present, have come together to convey a message very dear 
              to us in Asia: the importance of the family.  
               
             Yet there are 
              families and families. The Richard family in the film was close-knit 
              and loved the other, in spite of their wealth and prestige.  
               
             Amitab Bachchan, 
              no longer the heart-stopper of yore but still a striking figure, 
              epitomises the autocratic father figure so often found in Hindu 
              families. Jaya Bachchan, no longer slim but still appealing, is 
              the typical loving mother.  
               
             Shah Rukh Khan, 
              as attractive in a Western suit as in Indian attire, steps down 
              from planes and helicopters to come flying home for the family Hindu 
              feast of Diwali. 
               
             His brother 
              in the film shines at the Oval cricket ground in England.  
               
             The film sets 
              move from a palatial residence and the poor neighbourhood of Chandi 
              Chowk in India to the busy streets of London and even an English 
              primary school.  
               
             While respecting 
              the strong family bonds stressed by the film and the patriotism 
              of the Indians in England, I wonder if it was not rude and ill-bred 
              of Rahul's wife Anjuli, to think of the friendly English lady as 
              'a cunning vixen' using Hindi which the lady could not understand. 
               
               
             Cross-cultural 
              assimilation is a major problem area. There are many who wear alien 
              Western clothes and live in the West or travel abroad but who cannot 
              be called citizens of the world because their minds are still limited 
              only to what is good in the country and culture they have left behind. 
               
               
             However, love 
              speaks a universal language and this film conveys the warmth of 
              genuine family ties.  
               
             You have to 
              stretch your imagination to think that in 10 years the still young-looking 
              Shah rukh Khan could have fathered the fully-grown Kareena Kapoor. 
              Nor does the film dwell on the reality of an Indian housewife transported 
              to London who has to budget as well as cook and clean, certainly 
              not draped in a saree and with hair flowing.  
               
             If your mind 
              does not boggle at the sight of short skirted caucasian white skins 
              dancing and gyrating true to the Hindi film formula, see the film, 
              enjoy the acting and dancing of the stars and let your heart be 
              touched by the thought of human beings who bond for life even across 
              countries.  
               
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