Proof
of a novel variety
The Combined Theatre Company presents 'proof' David Auburn's Pulitzer
Prize winning play of 2000 at the Russian Cultural Centre on August
15, 16 and 17 at
8.00 p.m.
Vinodh Senadeera
directs a cast of four talented young performers. Vinodh directed
CTC's last production, "Ropes of Sand", an original play
written by Michael de Soyza as well.
One of the
most acclaimed plays of recent seasons, proof, explores the mysteries
of love as much as it does the mysteries of mathematics. On the
eve of her 22nd birthday, Catherine, who has spent years caring
for her brilliant but unstable father, Robert, must deal not only
with his death but also with the arrival of her estranged sister,
Claire and with the attentions of Hal, a former student of her father's
who hopes to find valuable work in his 103 notebooks. As Catherine
confronts Hal's affections and Claire's plans for her life, she
struggles to solve the most perplexing problem of all: how much
of her
father's madness-or-genius- will she inherit?
The lead role
of Catherine is played by 21-year-old Lakshika Kamalgoda, an old
girl of Holy Family Convent, presently teaching speech and drama.
To her the character of Catherine is challenging, as she has to
depict many sides of her personality. It's a character which is
still finding 'a true place in society.'
Troy Manatunga,
who plays Hal has had a variety of theatrical experiences while
at St. Thomas' College, performing both in Shakespeare and contemporary
plays. He has also had much exposure in lighting and set designing,
and plays a key role in this production as well.
Arun Perera,
an old Thomian, with experience both in acting and stage managing,
plays the role of the father. The challenge he faces is that he
only appears in the dream sequence which must be brought out to
the audience.
Ashanthi Mendis
plays the role of Claire. Her previous experience at Bishop's College,
undoubtedly has helped her take on this role.
The play just
ended a very successful run in the West End. Vinodh, who now teaches
in London, finds it a challenge to direct this production. He has
a word of warning about the language in the play though. "Unfortunately
I can't edit as it will lose its atmosphere. Sometimes you just
need to swear when you feel a certain way."
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