A
parade of memories
By Smriti Daniel
Timepieces: the faded black and white photographs hang on her mother’s
wall. The young girl looks at them and looks at them, and they never
cease to be a wonder to her….her mother, young and beautiful
smiles in one, her aunt, quiet and serene sits in another.
Years
later, all grown up now, the girl is drawn once more to those simple
pictures. She takes a photograph of these photographs and now they
are hers – her memories, her little fragment of a time gone
by.
For
Menika van der Poorten, the exhibition of her photographs titled
“Timepieces” is in fact a collection of memories and
a tribute to the passage of time. “I had a very large family,
plenty of aunts and uncles and cousins, especially on my grandmother’s
side,” she says, “so many of them were larger than life
characters.” The eldest child in her family, Menika grew up
listening to stories about her family and their exploits. “I
would just absorb all these stories,” she says.
For
instance there is the tale of the Belgian patriarch - her great-grandfather
– who made his money in the plantations. A picture of his
wife is to hang in the exhibition: a Sinhalese woman who would regularly
receive letters from her adventuring husband, assuring her that
he would return and that she was not to believe anyone who told
her otherwise. He did come back to her, and though they did not
speak each other’s language (making the letters something
of a moot point), they managed to live happily ever after, or so
the story goes. This ancestor who travelled extensively, Menika
says laughing, will always remind her of a buccaneer pirate.
Today,
Menika, herself a professional photographer says that for her many
of her photographs, (like many of those childhood stories) are composed
of memories not entirely her own. “My memory is not my ‘own’.
It is interwoven with the memories and stories of my mother, father,
uncles, aunts, forefathers, friends, glimpses of other people’s
lives and stories.”
Menika
explains that while to the viewer her selection of photographs may
look random, the truth is far from it. The photographs take the
form of “a parade of memories”, each finding a place
in a personal journey of snapshots of her life – taken over
a period of many years. “For me these images are like keys
that unlock sudden, hidden areas of my memory. Each one evokes feelings
of nostalgia, anxiety, joy, loss or contemplation.” For Menika
this exhibition is intensely personal, with every picture speaking
directly to her. Some pictures she says are of simple things like
faded flowers, Bo tree leaves, and interiors of houses, while others
are of people and places, but they all strike a chord. She hopes
they will resonate with her audience as well.
Having
been involved in photography for over 20 years now, Menika has been
a teacher, photographer, picture researcher and coordinator, both
in England and Sri Lanka. Currently she is attached to the Vibhavi
Academy of Fine Arts and also teaches photography on a freelance
basis.
‘Timepieces’
will feature approximately 40 of Menika’s prints, the first
time she is exhibiting such a large number. “I suppose in
some ways this is my first solo exhibition,” she says, adding
that she has had other exhibitions, but for most part with other
photographers. Women Imaging Peace, an exhibition of South Asian
women photographers held in New Delhi just last year is her most
recent. She has previously had her photographs exhibited not only
in Colombo but in London and Amsterdam as well.
The
exhibition which will be on at the Lionel Wendt on March18 and 19
is mainly sponsored by the Vibhavi Academy of Fine Arts. Gallery
hours are from 9 to 8 pm.
Dance
treat for children
Following their highly successful ‘Tribute to Chitrasena’
show in January, the Chitrasena Vajira Dance Foundation will present
two famous ballets from the Chitrasena Kalayathanaya, Hapana and
Berahanda at the Lionel Wendt from March 16 to 19.
Hapana
goes on the boards on March 16 and 17 at 7 p.m. while Berahanda
will be staged on March 18 and 19 at 7 p.m. To help bring these
fascinating ballets to a younger generation of children, The Foundation
will also present special school shows on the morning of Thursday,
March 16, and Friday, March 17. The school shows begin at 10.30
a.m.
Created
by Vajira in 1979, Hapana is about a little fish who against all
odds, teaches his fellow fish to unite and work together to defeat
their common enemy, the shark. Set in an undersea world of colourful
fish and other wonderful ocean creatures, Hapana went on to become
a classic in Sri Lankan dance theatre. The ballet has provided an
opportunity for talented young dancers from the Chitrasena Kalayathanaya
to showcase their skills over the years.
In
2001, Vajira was inspired to create her latest masterpiece, based
on a story by the late Bandula Jayawardene. Berahanda is a complex
story that combines love with tragedy. The ballet begins with a
love story between the god Sakra and a beautiful weaver girl on
earth, but ends with the child from their union committing a sin
– the slaying of an ox to make a drum – and being condemned
to the netherworld by the god Sakra, who does not realize the boy
is his own son. The ballet underscores the importance of parental
guidance, and how children could go astray when left to their own
devices.
The
first half of each day’s programme will include dance items
choreographed by Vajira, including Saraswathie Pooja, Ves, Pantheru,
Ukusa and Snake Dance.
Funds
raised from the Ballet Festival will go towards the building fund
of the Chitrasena Kalayathanaya, one more step towards the completion
of their dream – the rebuilding of a national dance academy.
The ballet festival is sponsored by Anchor, and media sponsorship
is provided by Derana TV.
Women
on women
International Women’s Day was celebrated with the usual fanfare
on March 8: speeches, rallies, marches and pledges. Sugandhi Edirisinghe
chose to make her contribution to Women’s Day in her own way.
Sugandhi
has held many exhibitions over the past few years but this one has
just one focus: All 20 paintings she will display, (oils on canvas)
show women in some activity or another. Moreover, she shares the
spotlight with a young woman artist.
“I
like painting women,” says Sugandhi, who is also an active
member of the Zonta Club 11. She feels women must support each other
in their daily lives because they understand all too well, the challenges
and difficulties they face, hence the theme “Women recognizing
women’.
Sugandhi
painted in school then gave up after marriage when she was preoccupied
with bringing up her two daughters and only resumed her interest
after 1979. She has held many joint exhibitions with her sister,
well-known designer Purnima Abeyratne and also exhibited in Dubai.
The
exhibition will also introduce Nimalee Rajapakse, a final-year student
of the Institute of Aesthetic Studies whose work has also been featured
in many exhibitions. ‘Women recognizing women’ opened
on March 9 and will continue till the 23rd at the Alliance Francaise
in Colombo.
Kiddies,
it’s your favourite fairytale in Sinhala
The latest children's theatre production 'Walas Pawula' (Bear Family)
presented by the Lanka Children's and Youth Theatre Organisation
(LCYTO), better known as the Play House in Kotte, will be staged
on March 18, at Lumbini Theatre at 3.30 p.m. and 6.30 p.m. Based
on the fairy tale "Goldilocks and the Three Bears", the
script has been adapted to suit the local audience by veteran children's
playwright and theatre director Somalatha Subasinghe who is also
the founder of 'Play House'. 'Walas Pawula' is directed and choreographed
by Dr. Chandana Aluthge.
The
cast comprises Wishvajith Gunasekera, Sanjaya Hettiarachchi, Chamila
Peiris, Lakmini Senevirathne, Niranjala Manjaree, Sharmain Gunaratne,
Suresh Fernando, Mayura Kanchana, Nayomi Gunaratne, Chamila Priyanka,
Aruna Jayasena, Pramod Edirisinghe, Dinuki de Silva, Pramudi Karunaratne,
Hiran Abeysekera, Ishara Wickramasinghe, Champika Kannangara and
several new actors trained at the Play House.
Send
in your entries
The English Writers' Cooperative of Sri Lanka is inviting entries
for its Short Story & Poetry Competition for 2006. Short Stories
should be no longer than 2,500 words of creative writing, original
and unpublished, poetry: a maximum of 30 lines, original and unpublished.
Format: All manuscripts to be neatly typed on one side only, on
A4 paper, a margin of one inch all round. Pages should be numbered.
Name, address, telephone/email details of the author should be set
down at the beginning and the end of each story, and on each page
of poetry. Pages should be stapled together.
The
entrance fee is Rs. 50 per short story and Rs. 30 per poem. Material
submitted will not be returned. Payment should be either by cash
or cheque made out to the English Writers’ Cooperative of
Sri Lanka. Money orders/postal orders will not be accepted. The
entrance fee is non- refundable.
Entries
should be sent by Registered Post to reach on or before April 30,
2006, to Mrs Vijita Fernando, The English Writers' Cooperative of
Sri Lanka, 572/10 Welikadawatte, Nawala Road, Rajagiriya. Envelopes
should be marked COMPETITION on the upper left hand corner. Late
entries will not be accepted. Winning entries will be published
in a subsequent issue of Channels Magazine. |