Sensitive and memorable

"Short and sweet" - is my verdict on Prasanna Vithanage's beautiful cinematic creation, Pavuru Valalu. Interesting script, fine acting, tight editing, sensitive photography, memorable music - all contribute to make Pavuru Valalu a quality film.

It's no wonder Prasanna's effort has already been acknowledged in the international film circuit. He shows remarkable talent as a young film maker. No scene is prolong. He is in total control from beginning to end .

Prasanna is quite happy working in a limited area in and around the Galle fort and ramparts throughout the film. He uses the sea effectively to highlight poignant moments in the story just as much as he uses darkness to indicate impending disaster. Every one gives of their best under his direction: cameraman (Suminda Weerasinghe), editor (Lal Piyasena), music director (Harsha Makalanda) and the rest of the crew. It's a fine team effort.

Tony Ranasinghe has almost notched a century in his film career spanning 36 years. (He started with 'Gamperaliya' in 1963). From the young playboy in 'Delovak Atara' (1966) to a sick seaman Victor in 'Pavuru Valalu' has been a long journey. But with every role, Tony excels. He is a treat to watch. As a mature adult who, after 25 years, meets his first love Violet, (sensitively portrayed by Nita Fernando) now a married woman with two grown up daughters (one married and the other about to be given in marriage) Victor begins life afresh.

Nita is possibly best remembered for her role in 'Duhulu Malak' (1976). In 'Pavuru Valalu', she does a difficult role extremely well. As producer, she deserves a special 'thank you' for giving us a good film.

Sangeeta Weeraratne gives yet another fine performance. She is so talented, directors must find it a treat to work with her. The others - Damayanthi Fonseka, Mahesh Perera, Edward Gunawardena and Roger Seneviratne - all do their roles well to make 'Pavuru Valalu' a film to remember.Prasanna, you have made your mark..

Ranat

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