From war years to men
in her life
- Two books - one official, one not - trace
the life of screen classic Audrey Hepburn
By Bob Thomas
LOS ANGELES (AP) - The fall book parade brings
two biographical works on the late, beloved Audrey Hepburn: one
a frank but sympathetic life story that tells of her extramarital
affairs; the other a coffee-table book packed with memorabilia.
"Enchantment: The Life of Audrey Hepburn,"
by Hollywood biographer Donald Spoto (Harmony Books), covers her
life, from her childhood under Nazi rule in Holland and Belgium
to her inspiring work for UNICEF and her death from cancer in 1994.
"The Audrey Hepburn Treasures," by Ellen
Irwin and Jessica Z. Diamond (Atria), is a hefty, beautifully designed
volume with biographical sequences, 200 photographs and envelopes
containing copies of letters, contracts, clippings, snapshots, etc.
Speaking from his home in Denmark, Donald Spoto
said that four years ago he took "a hard look" at writings
about Hepburn, including three or four biographies plus picture
books and studies of her movies.
|
Audrey Hepburn and William Holden, co-stars
in the romantic comedy "Sabrina," ride on a bateau-mouche
along the Seine river, on June 14, 1962, in Paris and (inset)
in this 1964 file photo, Audrey Hepburn appears in costume as
Eliza Doolittle in the film version of "My Fair Lady."
(AP Photo) |
"They were books about St. Audrey,"
he said. "I think that alienates the subject from the reader;
it doesn't bring the reader closer to the person in the stained-glass
window. Readers would be much more likely to empathize with a real
human being who suffered, was insecure, like other human beings."
"Enchantment" is the most moving in
accounts of Hepburn's war years when she and her family nearly starved
to death and she witnessed random shootings of civilians by German
soldiers. Also dramatic are her last six years when she abandoned
her career to tour the world on behalf of sick and starving children.
Spoto delves into her personal life, including
a fling with William Holden, a married man, when they starred in
"Sabrina" in 1954. During her own marriages, to actor
Mel Ferrer and to Rome psychiatrist Andrea Dotti, Spoto writes that
she had passionate affairs with playwright Robert Anderson (who
wrote the screenplay of 1959's "The Nun's Story") and
co-stars Albert Finney and Ben Gazzara.
"She wanted desperately to be loved, and
she didn't choose her husbands wisely," the author said. "Actresses
often do not."
When Jack Warner bought the movie rights to "My
Fair Lady" and cast Rex Harrison to repeat his Broadway role
as Professor Higgins, he believed that he needed a film star to
play the female lead. He chose Audrey Hepburn instead of Julie Andrews,
who had initiated the role of Eliza Doolittle.
"There was a huge deception by Warner,"
said Spoto. "He told Audrey, 'It's going to be your voice singing
the songs.' Marni Nixon had been lined up to dub the songs from
the start. Warner sabotaged Audrey's Oscar by not letting her sing.
Who would vote for best actress in a musical who didn't sing her
songs?"
Hepburn reacted to the slight from the Academy
of Motion Pictures Arts & Sciences with "enormous grace,"
appearing at the awards to present Rex Harrison's Oscar.
"The Audrey Hepburn Treasures" resembles
in size and weight a big-city telephone book. It is indeed a trove
of a remarkable life, with memorabilia dating from her Brussels
birth through the London, New York and Hollywood years to her work
with the children of African tribes.
Hepburn's first-born son, Sean Hepburn Ferrer,
was the instigator of the book, for which a portion of the profits
will benefit the Audrey Hepburn Children's Fund. He holds the copyright,
along with his half brother Luca Dotti.
The book was assembled and written by Irwin and
Diamond, officials of the fund. "They know my mother's life
better than anyone," Sean remarked from his Santa Monica office.
Gathering all the material, including photographs never before printed,
was a monumental task, helped by Hepburn herself.
"My mother was not very good about keeping
clothes; if they were outdated, she'd give them to an aunt or cousins
or museums," said Sean. "But she always kept all of her
scripts, her photos, things that were meaningful."
Sean recalled "a strange thing" that
happened six months before his mother's death. She spent six to
eight weeks with her maid in the attic of her Swiss house sifting
through her collection of memorabilia. It was all orderly when her
family found it after her death.
In the early stages of "Enchantment," Sean was asked to
participate. He declined.
"My mother was a biographer's dream and a
nightmare," Sean said, quoting a previous biographer. "She
was a dream because she was a classic to write about and everybody
loves her. She was a nightmare because there are no scandals, quasi-cruelties,
no really juicy stuff. How do you write a Hollywood biography without
the juicy tidbits?"
Sean said he had been aware of his mother's extramarital
affairs, so Spoto's book would be no surprise for him.
A question Sean is often asked: What was it like
growing up as Audrey Hepburn's son?
"My answer is something people don't expect:
I have no idea," he replied. "I grew up in the countryside
of Switzerland, and she was a regular mom; she quit doing movies
when I couldn't travel anymore (because of school)."
"In those days (he was born in 1960), there
was no DVD, no VHS; in Europe, we had one black-and-white channel.
... It was later on that I connected that she was an actress, and
later I realized that she was a pretty good actress.
"Only after she had passed away did I fully
comprehend to what extent she had truly touched everyone."
|